Camera & Drone Gear Blog
Info, Reviews, Comparisons, & News
Canon Officially Announces their Most Technologically Advanced Full-Frame Mirrorless Camera - the EOS R3
The core of the EOS R3 features a Canon designed and manufactured 24.1-megapixel back-illuminated stacked CMOS sensor. The sensor is the first of its kind from Canon, and when combined with the DIGIC X processor, delivers a high-speed readout allowing for continuous blackout-free shooting1 at up to 30 fps in electronic (silent) shutter mode and up to 12 fps in mechanical shutter, with minimum rolling electronic shutter distortion. The combination also increases the high sensitivity, light-capturing efficiency of a native ISO range of 100-102400, expandable up to 204,800 for still images. Like the EOS R5 and R6, the camera features the improved Dual Pixel CMOS AF II with 1,053 AF Points and evolved EOS iTR tracking down to EV -7.5 for subjects such as eye, face, head, animals2, and select cars and motorcycles. In addition, the camera features up to 8 stops3 of in-body image stabilized (IBIS) shake correction.
The new Canon EOS R3 Full-Frame Mirrorless Camera has been officially announced
From the Canon Press Release (September 14, 2021): “Building on the success of the EOS R camera series, Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the next leap forward in full-frame mirrorless cameras - the professional-grade Canon EOS R3. The new camera leverages the advancements in technology that Canon has developed since the original EOS R launch in 2018 and bridges the gap between the immensely popular EOS R5 and the world-renowned Canon flagship EOS-1D X line. The EOS R3 is the first “3” series camera from Canon since the widely used EOS-3 film camera launched in 1998.
The EOS R3 camera’s features greatly emphasize superb AF performance and speed with fast-moving subjects. It was designed to meet the reliability and durability demands of professionals, even when working in some extremely challenging conditions.
“The launch of the EOS R3 sets a new benchmark for the Canon EOS R camera system. Canon listened carefully to the voices of professionals when developing a camera to meet their standards,” said Tatsuro “Tony” Kano, executive vice president and general manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “The EOS R3 is a monumental evolution in digital imaging technology. I look forward to seeing the camera in action on the sidelines of sporting events and in the hands of nature and wildlife photographers across the globe.”
The core of the EOS R3 features a Canon designed and manufactured 24.1-megapixel back-illuminated stacked CMOS sensor. The sensor is the first of its kind from Canon, and when combined with the DIGIC X processor, delivers a high-speed readout allowing for continuous blackout-free shooting1 at up to 30 fps in electronic (silent) shutter mode and up to 12 fps in mechanical shutter, with minimum rolling electronic shutter distortion. The combination also increases the high sensitivity, light-capturing efficiency of a native ISO range of 100-102400, expandable up to 204,800 for still images. Like the EOS R5 and R6, the camera features the improved Dual Pixel CMOS AF II with 1,053 AF Points and evolved EOS iTR tracking down to EV -7.5 for subjects such as eye, face, head, animals2, and select cars and motorcycles. In addition, the camera features up to 8 stops3 of in-body image stabilized (IBIS) shake correction.
Leveraging technology and performance feedback from the popular EOS R5 and EOS R6 cameras, the EOS R3 uses Deep-Learning technology to further enhance eye and body detection for even better performance during portrait and action-type shooting. Featuring a new 5.76-million-dot and 120fps blackout-free1 Electronic Viewfinder, the EOS R3 camera will provide photographers with the ability to select the initial area for AF tracking by simply looking directly at the viewfinder location where they want to begin AF. With Eye input AF2 and Servo AF activated, the camera will focus on and track moving subjects at that location in the frame. When Face Detect + Tracking is active, the camera will continue to follow moving subjects around the entire active AF area.
The EOS R3 camera doesn’t just capture spectacular still images, it also packs impressive video specs as well. The camera is capable of shooting 6K 60p RAW and 4K 120p 10-bit uncropped video with Canon Log 3 support, in addition to the possibility for oversampled 4K and RAW movie internal recording. Canon Log 3, which is frequently used in cinema production, helps to reduce the possibility of highlight blowouts. What’s more, the features such as industry standard BT.709, BT.2020 color gamuts, and cinema gamut help to maintain color and tonal consistency. Coordinated 5-axis IBIS helps to correct operator motion or shaking providing dependent video capturing even when using a lens without built-in Optical IS.
Additional features of the EOS R3 Full-Frame Mirrorless Camera include:
Canon’s next-generation Multi-Function Shoe that is compatible with a variety of accessories including the Speedlite EL-1, and new accessories such as the ST-E10 Speedlite Transmitter, External Mic and Smartphone Link Adapter
One-piece magnesium alloy design, integrating the body with a vertical grip section
Weather and dust resistance equivalent to EOS-1D camera models.
Mobile File Transmitter application for iOS® and Android® devices allows photographers to transfer their images quickly and easily without the need for wired LAN equipment
Built-in Wired LAN, 5GHz Wi-Fi®, USB and Bluetooth® technology
Dual-card slots, supporting one CF express and one UHS-II SD
The Canon EOS R3 Full-Frame Mirrorless Camera is scheduled to be available in November 2021 for a suggested retail price of $5999.00*. For more information, please visit usa.canon.com.”
Canon Announces Development of the Full-Frame Mirrorless EOS R3
The Canon EOS R3 will join the current lineup of EOS R full-frame mirrorless series cameras. This camera will usher in a new category to the EOS R system, positioned squarely between the EOS R5 and EOS-1D X Mark III cameras. The camera will put great emphasis on superb AF performance and speed, with fast-moving subjects. It is being designed to meet the reliability and durability demands of professionals, even when working in challenging conditions.
From the Canon Press Release: “MELVILLE, NY, April 14, 2021– Canon U.S.A. Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc., is developing a new, high-performance professional camera — the Canon EOS R3*. When it arrives, the EOS R3 will be an outstanding complement to the three new RF lenses the company also introduced today — The Canon RF 100mm F2.8 L Macro IS USM, RF400mm F2.8 L IS USM and RF600mm F4 L IS USM.
“The development of the Canon EOS R3 and the launch of the new RF lenses are the latest testament to the company’s commitment to professional still and video image and content creators,” said Tatsuro “Tony” Kano, executive vice president and general manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “When the camera becomes available, it will pair well with each of the new RF lenses announced today. Canon is excited to share this news today, and we look forward to seeing the images captured with the new RF lenses and upcoming EOS R3.”
Under Development - The Canon EOS R3
The Canon EOS R3 will join the current lineup of EOS R full-frame mirrorless series cameras. This camera will usher in a new category to the EOS R system, positioned squarely between the EOS R5 and EOS-1D X Mark III cameras. The camera will put great emphasis on superb AF performance and speed, with fast-moving subjects. It is being designed to meet the reliability and durability demands of professionals, even when working in challenging conditions.
At the heart of the EOS R3 camera’s performance will be an EOS camera first, a Canon-developed, full-frame stacked CMOS sensor with a back-illuminated design, providing substantially faster read-out speeds during still-imaging recording. This completely new sensor is designed to produce less “rolling shutter” distortion during Electronic Shutter operation and offer continuous Electronic Shutter still-image shooting at speeds up to 30 fps — with full Dual Pixel CMOS AF and auto exposure1.
The AF system will leverage technology and performance from the well-received EOS R5 and EOS R6 cameras, using Deep Learning technology to further enhance eye and body detection for even better performance during portrait and action-type shooting. In addition, the EOS R3’s subject detection AF will offer new recognizable subjects for its AF system, bolstering its focusing capabilities during challenging shooting conditions.
The Electronic Viewfinder of the EOS R3 will offer photographers the ability to select the initial area for AF tracking by simply looking directly at the viewfinder location where they want to begin AF. With Eye Control AF2 and Servo AF activated, the camera will focus on and track moving subjects at that location in the frame. When Face Detect + Tracking is active, the camera will continue to follow moving subjects around the entire active AF area.
The camera body will be entirely new and accentuates the camera’s high-performance design. It’s a one-piece design, integrating the body with a vertical grip section. The weather and dust-resistance will be equivalent to that of EOS-1D class cameras — an essential consideration for nature, wildlife, sports and photojournalism content creators working in extreme conditions. In addition, news photojournalists will be excited to add the Mobile File Transmitter application for iOS and Android devices that will be available.
Full details of all the EOS R3’s features and specifications will be provided at the time of its formal announcement*. To follow along for more news on the Canon EOS R3 camera, please visit: www.usa.canon.com/eosr3.”
Sony Announces the Full-Frame Mirrorless Alpha 1 Camera
Sony Electronics, a global leader in imaging sensor technology and digital imaging, has announced the arrival of the groundbreaking new full-frame mirrorless Alpha 1 camera – asserting their commitment to leading the industry with a stunning combination of innovative new features.
The most technologically advanced, innovative camera that Sony has ever released, the Alpha 1 combines high-resolution and high-speed performance at a level that has never been accomplished in the world of digital cameras. With a brand new 50.1-megapixel full-frame stacked Exmor RS™ image sensor, up to 120 AF/AE calculations per second, 8K 30p 10-bit 4:2:0 video and much more, the Alpha 1 will allow creators to capture what they've never been able to before.
Sony announces the new Alpha 1 Full-Frame Mirrorless Camera
From the Sony Press Release:
“Sony Electronics, a global leader in imaging sensor technology and digital imaging, has announced the arrival of the groundbreaking new full-frame mirrorless Alpha 1 camera – asserting their commitment to leading the industry with a stunning combination of innovative new features.
The most technologically advanced, innovative camera that Sony has ever released, the Alpha 1 combines high-resolution and high-speed performance at a level that has never been accomplished in the world of digital cameras. With a brand new 50.1-megapixel full-frame stacked Exmor RS™ image sensor, up to 120 AF/AE calculations per second, 8K 30p 10-bit 4:2:0 video and much more, the Alpha 1 will allow creators to capture what they've never been able to before.
"We are always listening to our customers, challenging the industry to bring new innovation to the market that goes far beyond their expectations," said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. "Alpha 1 breaks through all existing boundaries, setting a new bar for what creators can accomplish with a single camera. What excites us the most – more than the extensive product feature – is Alpha 1's ability to capture that which has never been captured before. This camera unlocks a new world of creative possibilities, making the previously impossible now possible."
The newly developed image sensor is built with integral memory and paired with an upgraded BIONZ XR imaging processing engine, making it capable of shooting 50.1-megapixel images continuously at an astounding 30fps with up to 120 AF/AE calculations per second. The Alpha 1's shooting capabilities are further enhanced by a 9.44 million dot OLED Quad-XGA electronic viewfinder, with a refresh rate of up to 240 fps, ensuring no black out. Additionally, for the first time in an Alpha series camera, 8K 30p 10-bit 4:2:0 video is available. The Alpha 1 is also capable of 4K 120p / 60p 10-bit 4:2:2 recording and includes S-Cinetone color. The Alpha 1 is also packed with features that support field professionals with faster workflow, including 3.5 times faster wireless FTP transfer speed and more.
Unprecedented Resolution and Speed
Continuous Shooting at Up to 30 Frames Per Second
The Alpha 1 captures moments that would otherwise be lost thanks to its high-speed performance, providing any photographer the speed they require to capture fast-moving objects. High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to 155 full-frame compressed RAW images or 165 full-frame JPEG images at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance.
At an astonishing calculation speed of up to 120 AF/AE per second, the Alpha 1 can maintain focus with high accuracy even for fast moving subjects. It can automatically adjust exposure, even with sudden changes in brightness, with an AE response latency as low as 0.033 seconds.
Advanced Electronic Viewfinder with the World's Firstiv Refresh Rate of 240 fps
Complimenting the camera's ability to capture images at an unprecedented speed, the Alpha 1 viewfinder features the world's firstiv 240 fps refresh rate, for a super-smooth display. The viewfinder does not black out when an exposure is made to offer an uninterrupted view and allow for seamless framing and tracking, even during continuous shooting. The 9.44 million-dot (approx.), 0.64 type Quad-XGA high-definition OLED display and refined optics deliver the highest resolution in its class. It also offers 0.90X viewfinder magnification, a 41° diagonal FOV, and a 25mm-high eyepoint for clear, low distortion viewing from corner to corner.
Advanced Autofocus
Sony continues to push the boundaries of autofocus technology with the introduction of the Alpha 1, which can easily track complex, fast-moving subjects with high precision. The camera features 759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area – ensuring accuracy and unfailing focus in environments where focusing might otherwise be difficult.
Sony's advanced Real-time Eye AF improves detection performance by 30% over the previous system, thanks to the powerful image processing engine, BIONZ XR. It ensures accurate, reliable detection, even when the subject's face looks away. In addition to improved Real-time Eye AF for humans and animals, the Alpha 1 employs high-level subject recognition technology to provide Real-time Eye AF for birds, a first in an Alpha series camera. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes.
The Alpha 1 also features AI-based Real-time Tracking that automatically maintains accurate focus. A subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed.
Silent, Vibration-free Electronic Shutter
High-speed readout from the new image sensor has made it possible to reduce rolling shutter by up to 1.5 times when shooting stills, compared to the Alpha 9 II. It also offers silent anti-flicker continuous shooting with an electronic shutter for the first time in the world. The electronic shutter operates silently, without mechanical noise, and is vibration-free. Stress-free continuous shooting is now possible even when shooting in challenging lighting situations with florescent or other flicker-prone types of artificial lighting. And for the first time in an Alpha camera, electronic shutter flash sync up to 1/200 sec is possible. The advantages of the electronic shutter advantages can now come to life even when using flash for broadly expanded shooting versatility.
Dual Driven Shutter System for 1/400 Flash Sync
The Alpha 1 boasts the world's fastest flash sync speedv of 1/400 sec. with mechanical shutter, making it even easier to capture dynamic action. In addition to a carbon fiber shutter curtain, the Alpha 1 features the newly developed dual driven shutter system utilizing spring and electromagnetic drive actuator, offering high durability and lightness at the same time.
High Resolution Shooting Enhancements
Even with this sensor's high pixel count, the Alpha 1 offers high sensitivity with low noise, plus 15+ stops of dynamic range for video and 15 stops for stills, for smooth, natural gradations from shadows to highlights thanks to its cutting-edge processing system, throughout a wide ISO sensitivity range of 100-32,000 (expandable to 50-102,400, when shooting stills).
Additionally, the new camera features an evolved Pixel Shift Multi Shooting mode that composites up to 16 full-resolution images. In this mode, the camera precisely shifts the sensor in one pixel or half-pixel increments to capture 16 separate pixel-shifted images containing a total of 796.2 million pixels of data, which are then composited into a 199 million pixel (17,280 x 11,520 pixels) image using Sony's Imaging Edge™ desktop application. With a flash sync of up to 1/200 sec. in this mode, it is ideal for photographing architecture, art or any other still life subject with a level of detail and color accuracy that is simply stunning.
Professional Video Quality
8K High-resolution Movie Shooting
For the first time in an Alpha camera, the Alpha 1 offers 8K 30p 10-bit 4:2:0 XAVC HS recording with 8.6K oversampling for extraordinary resolution. Combined with Sony's acclaimed autofocus technology, gradation and color reproduction performance, the Alpha 1 will help the user realize their creative vision with the finest detail. It's 8K footage can also be used for flexible 4K editing during post-production.
Supporting Various Video Formats for Professionals
The Alpha 1 offers in-camera 4K recording at up to 120 frames per secondviii which allows the user to shoot up to 5X slow-motion video. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.
The Alpha 1 features S-Cinetone, the same color matrix that produces the highly regarded FX9 and FX6 color and skin tones. It delivers natural mid-tones, plus soft colors and gorgeous highlights to meet a growing need for more expressive depth. The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match Alpha 1 footage with video shot on VENICE cinema camera, FX9 and other professional cinema cameras.
Heat-dissipating Structure
A unique heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p video continuously for approximately 30 minutes.
Supporting Hand-held Shooting
A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera's 50.1-megapixel sensor. The Alpha 1 also features an Active Mod that offers outstanding stabilization for handheld movie shooting. When using Sony's desktop applications Catalyst Browse or Catalyst Prepare for post-production, an accurate image stabilization function is available which utilizes metadata generated by camera's built-in gyro.
Other features that the Alpha 1 offers include; 16-bit RAW output to an external recorder via HDMI for maximum post-production flexibility, a digital audio interface has been added to the camera's Multi Interface (MI) Shoe for clearer audio recordings from a compatible Sony external microphone, 5.8Koversampled full pixel readout without pixel binning for high-resolution 4K movies in Super 35mm mode and more.
Enhanced Workflow with Network Technologies including Connectivity to 5G Compatible Devices
The Alpha 1 has been designed and configured to support photo and video journalists and sports shooters who need to deliver stills or movies as quickly as possible with advanced connectivity options. It offers several features for fast, reliable file transfers. Industry's fastestxiii built-in wireless LAN allows communication on 2.4 GHz and 5 GHzxxix bands with dual antennas to ensure reliable communications. 5 GHz includes 2x2 MIMO support (IEEE 802.11a/b/g/n/ac) offering 3.5 times faster wireless FTP transfer speed than the Alpha 9 II - a notable advantage for news and sports shooters who need to deliver with reliable speed. There is also a provided USB Type-C® connector to support fast data transfer when connected to a 5G mmWave compatible device such as Sony's Xperia PRO and makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The Alpha 1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.
In addition to compressed and uncompressed RAW, the Alpha 1 includes efficient lossless compression with no quality degradation, Lossless Compressed RAW. There is also a new "Light" JPEG/HEIF image quality setting that results in smaller files than the "Standard" setting, allowing faster deliver for news and sports photographers who depend on speed. Along with a versatile range of RAW and JPEG formats, the Alpha 1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. Images shot on the Alpha 1 can be trimmed in-camera to a desired aspect ratio, size, or position for versatile usage.
The Alpha 1 is also compatible with a variety of apps, add-ons and tools. With Imaging Edge Mobile and Imaging Edge Desktop, professionals can easily transfer RAW files and files that use lossless compression and remotely control Touch Tracking and Touch Focus for convenient AF operation. The Transfer & Tagging add-on (Ver. 1.3 or later) can automatically covert voice memos attached to image files to text captions or transfer the files to an FTP server from a mobile device. Desktop applications Catalyst Browse/Catalyst Prepare allow professionals to browse and manage video clips shot by Sony's camera. In addition, the Remote Camera Tool can remotely change camera settings and shoot from a computer connected via LAN cable and feature a number of refinements for the Alpha 1: faster transfer, touch response, dual slot and HEIF support, and more.
Reliable and Easy Operability
Professional users need more than just refined features and performance. They also need the reliability and durability demanded of any professional tool. The Alpha 1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. It also features a durable magnesium alloy chassis, long battery life with the Z-battery which can be extended using the optional VG-C4EM Vertical Grip (sold separately), an improved dust removal feature, shutter close function on power-off to protect image sensor, plus dust and moisture resistance that maximizes reliability in challenging environments. It includes a durable, reliable HDMI Type-A connector, and USB PD (Power Delivery) support, allowing higher power to be supplied from an external source so that users can record for extended periods with minimal internal battery usage.
A revised menu structure provides easier navigation, and touch-responsive menu operation offers fast, more intuitive control with Touch Focus and Touch Tracking on its 3.0 type 1.44 million-dot (approx.) LCD monitor. For easy customization, a subset of the camera's shooting settings now changes according to the selected shooting mode, making it easier than ever to use different aperture, shutter speed and other settings for shooting stills and movies.
Pricing and Availability
The Alpha 1 Full-frame Interchangeable-Lens Camera will be available in March 2021 for approximately $6,500 USD and $8,500 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.”
Nikon Announces the New D6 Full-Frame DSLR
Today, Nikon Inc. has unveiled the D6, a new professional-grade DSLR built for those in need of extreme reliability and ultimate performance. The D6 addresses the needs of professionals and press agencies and is faster and more powerful than ever before. Offering the most powerful AF system in Nikon’s history, this flagship DSLR camera delivers crucial improvements to modern workflow while also accelerating file transfer capabilities. Promising unparalleled low-light performance, powerful agility, advanced 4K UHD multimedia capabilities and a mechanical shutter frame rate boosted to a staggering 14fps, the D6 will redefine the way pros work.
From the Nikon Press Release:
“Today, Nikon Inc. has unveiled the D6, a new professional-grade DSLR built for those in need of extreme reliability and ultimate performance. The D6 addresses the needs of professionals and press agencies and is faster and more powerful than ever before. Offering the most powerful AF system in Nikon’s history, this flagship DSLR camera delivers crucial improvements to modern workflow while also accelerating file transfer capabilities. Promising unparalleled low-light performance, powerful agility, advanced 4K UHD multimedia capabilities and a mechanical shutter frame rate boosted to a staggering 14fps, the D6 will redefine the way pros work.
“The D6 is purpose-built and inspired by the valuable feedback of professional users,” said Jay Vannatter, Executive Vice President of Nikon Inc. “The world relies on photojournalists and professionals to document every corner of the globe through impactful images; Nikon cameras are trusted to stand up to any job and help photographers capture the shot, time and time again.”
The Most Powerful AF in Nikon’s History: The D6 leaves nothing to chance. To maximize hit rate, it is equipped with a newly developed, densely packed 105-point AF system in which all the focus points utilize cross-type sensors and all points are selectable. Through the new focus point layout and the use of a triple-sensor arrangement for each focus point, the D6 achieves AF coverage that is approximately 1.6x denser than that of the D5. The D6 also sports an expanded focus detection range which increases the detection area for single point AF and dynamic area AF, making it easier to achieve focus on a subject even when slightly outside the focus point.
Improving upon Nikon’s popular Group AF mode, this function has evolved with support for 17 custom arrangements from which users can choose according to the scene or subject movement. The D6 also demonstrates superior low-light AF performance. The center focus point works down to -4.5 EV1 and the others to -4 EV, making autofocus possible even in dark situations or with low-contrast subjects.
Unparalleled Performance: The new EXPEED 6 engine's superior image-processing capabilities combined with the vast amount of information provided by the new dedicated AF engine drives high-level performance in any situation. To help capture the decisive moment consistently, the D6 boasts a 14fps2 mechanical shutter with full AF and AE. The D6 can also shoot completely silent for sensitive situations, capturing full resolution at 10.5 fps. For faster frame rates, the Nikon D6 is able to take 2-megapixel images at approx. 60 fps and 8-megapixel images at 30 fps in Live View mode.
The D6 leverages a 20.8-megapixel FX-Format CMOS sensor, creating images that pop with stunning detail and true colors and exhibit incredible dynamic range. The ISO ranges from 100 to 102,400, which helps to preserve sharpness and subtle details in even the most challenging light. Additionally, ISO is expandable up to 3.2 million, giving photographers the ability to truly conquer the dark.
Concentration on Workflow: Building on Nikon’s history of serving professionals, the D6 is the most customizable Nikon DSLR yet, designed to speed up the workflow of any user during and after capture.
-Recall shooting functions create combinations of settings that can be assigned to a specific button to get the perfect shot in a pinch
-The D6 excels in connectivity and supports the same 1000BASE-T Ethernet standard as the D5, with an approximate 15% increase in transmission speed. The camera also supports a number of options for wireless networking, offering built-in 2.4- and 5-GHz*3 Wi-Fi®4 or traditional wireless transfer using the WT-6 Wireless Transmitter (optional)
-Includes 14 customizable buttons, assignable to any of 46 unique function choices and a new intuitive menu system
-Priority Image Transfer gives the ability to move an important image to the front of the queue when speed is of paramount priority, which can easily be done by swiping the touch LCD during playback
-Security Lock compatibility supports connection of anti-theft cables to provide maximum security for remote applications or when the camera is unattended
-Built in GPS5 gives accurate time, date and location information for just about anywhere on the planet
-Dual CFexpress6 slots offer blazing fast read/write times and have the ability to overflow, copy or separate file types
-JPEG functions allow for the simultaneous recording of two JPEG images with different image size and quality settings, which is convenient for separating images that will be transmitted from those that will be edited
-Creativity options for multimedia creators including a new interval timer mode to retain the best resolution and enable in-camera time-lapse movie file recording providing professionals the ability to create exceptionally sharp 16:9 4K Ultra HD video
Absolute Reliability: Nikon’s flagship cameras remain trusted in the industry and have been proven on the sidelines, in the studio and even in outer space. With a magnesium alloy camera body and extensively weather-sealed design, the D6 is as tough as the professionals who use it, ready to take on the harshest shooting conditions. The camera offers long-lasting battery life, delivering the safety net and energy-saving performance that pros need on daylong outings. The D6 also employs a USB-Type C connector for faster direct-to-PC file transfer rates than previously possible with the D5.
Endless Lens Choices: By pairing the D6 with Nikon’s extremely diverse selection of F-Mount NIKKOR telephoto lenses, professionals have the most advanced imaging solution in Nikon’s history. No matter the job, the client or the location, there’s a NIKKOR lens, from the ultra-wide to the super-telephoto. The D6 is also compatible with Nikon’s line of creative Speedlights, offering extra creative freedom to enhance natural light and add artistry and drama to any scene.
Pricing and Availability
The new Nikon D6 will be available in April 2020 for a suggested retail price (SRP) of $6,499.95 for the body only configuration.”
Canon, Nikon, & Sony Full-Frame Digital Camera Product History Timeline
A timeline of all Canon, Nikon, and Sony full-frame interchangeable lens digital cameras, listed by announcement date along with megapixels, video quality, shots-per-second capabilities, and direct links to the downloadable instruction manuals.
I created a timeline for DJI product releases and found it to be quite interesting, so I thought I would do a product history timeline for the “big three” camera manufacturers: Canon, Nikon, and Sony. I didn’t want to simply list the camera model and number of megapixels because that doesn’t really tell enough about essential functionality, so the list includes megapixels, still images per second (continuous shooting in RAW with an ideally fast card), video shooting resolution & frame rates, mirrorless vs. DSLR, and lens mount type. This list is currently limited to full frame interchangeable-lens cameras for simplicity. I may make a more complex timeline in the future with more camera brands, but full-frame cameras from these three manufacturers are currently a huge share of the high-end professional camera market, so this will be a good start for now. =)
The information on this page is mostly a combination of info from Canon, Sony, & Nikon support websites. This page contains links to products, so if you find this site useful and use a link to make a purchase, I’ll get a small commission. As an Amazon Associate I earn from qualifying purchases. Enjoy!
Sep 2002 - Canon EOS-1Ds
11.1 Megapixel, 3fps with 10 shots max burst, DSLR, Canon EF Mount
Download the User Manual here.
Sep 2004 - Canon EOS-1Ds Mark II
16.7 Megapixel, 4fps with 11 shots max burst, DSLR, Canon EF Mount
Download the User Manual here.
Aug 2005 - Canon EOS 5D
12.8 Megapixel, 3fps with 17 shots max burst, DSLR, Canon EF Mount
Download the User Manual here.
Aug 2007 - Canon EOS-1Ds Mark III
21 Megapixel, 5fps with 12 shots max burst, DSLR, Canon EF Mount
Download the User Manual here.
Aug 2007 - Nikon D3
12.1 Megapixel, 9fps with 18 shots max burst, DSLR, Nikon F Mount
Download the User Manual here.
Jul 2008 - Nikon D700
12.1 Megapixel, 5fps with 23 shots max burst, DSLR, Nikon F Mount
Download the User Manual here.
Sep 2008 - Canon EOS 5D Mark II
21.1 Megapixel, 3.9fps with 14 shots max burst, DSLR, Canon EF Mount
Shoots video at 1920x1080 30fps
Download the User Manual here.
Sep 2008 - Sony Alpha 900
24.6 Megapixel, 5fps with 12 shots max burst, DSLR, Sony A-Mount
Download the User Manual here.
Dec 2008 - Nikon D3X
24.5 Megapixel, 5fps with 24 shots max burst, DSLR, Nikon F Mount
Download the User Manual here.
Aug 2009 - Sony Alpha 850
24.6 Megapixel, 3 fps with 16 shots max burst, DSLR, Sony A-Mount
Download the User Manual here.
Oct 2009 - Nikon D3s
12.1 Megapixel, 9fps with 42 shots max burst, DSLR, Nikon F Mount
Shoots video at 1280x720 24fps
Download the User Manual here.
Oct 2011 - Canon EOS-1D X
18.1 Megapixel, 14fps with 38 shots max burst, DSLR, Canon EF Mount
Shoots video at 1920x1080 30fps
Download the User Manual here.
Jan 2012 - Nikon D4
16.2 Megapixel, 11fps with 92 shots max burst, DSLR, Nikon F Mount
Shoots video at 1920x1080 30fps
Download the User Manual here.
Feb 2012 - Nikon D800 & D800E
36.3 Megapixel, 4fps with 21 shots max burst, DSLR, Nikon F Mount
Shoots video at 1920x1080 30fps
Download the User Manual here.
Mar 2012 - Canon EOS 5D Mark III
22.3 Megapixel, 6fps with 18 shots max burst, DSLR, Canon EF Mount
Shoots video at 1920x1080 30fps
Download the User Manual here.
Sep 2012 - Canon EOS 6D
20.2 Megapixel, 4.5fps with 17 shots max burst, DSLR, Canon EF Mount
Shoots video at 1920x1080 30fps
Download the User Manual here.
Sep 2012 - Sony a99
24.3 Megapixel, 6fps with 13 shots max burst, DSLR, Sony A-Mount
Shoots video at 1920x1080 60fps
Download the User Manual here.
Sep 2012 - Nikon D600
24.3 Megapixel, 5.5fps with 22 shots max burst, DSLR, Nikon F Mount
Shoots video at 1920x1080 30fps
Download the User Manual here.
Oct 2013 - Sony a7
24.3 Megapixel, 5fps (max RAW burst shots not stated by Sony), Mirrorless, Sony E-Mount
Shoots video at 1920x1080 60fps
Download the User Manual here.
Oct 2013 - Sony a7R
36.8 Megapixel, 4fps (max RAW burst shots not stated by Sony), Mirrorless, Sony E-Mount
Shoots video at 1920x1080 60fps
Download the User Manual here.
Oct 2013 - Nikon D610
24.3 Megapixel, 6fps with 21 shots max burst, DSLR, Nikon F Mount
Shoots video at 1920x1080 30fps
Download the User Manual here.
Nov 2013 - Nikon Df
16.2 Megapixel, 5.5fps with 37 shots max burst, DSLR, Nikon F Mount
Download the User Manual here.
Feb 2014 - Nikon D4s
16.2 Megapixel, 11fps with 133 shots max burst, DSLR, Nikon F Mount
Shoots video at 1920x1080 60fps
Download the User Manual here.
Apr 2014 - Sony a7S
12.2 Megapixel, 5fps (max RAW burst shots not stated by Sony), Mirrorless, Sony E-Mount
Shoots video at 1920x1080 60fps
Download the User Manual here.
Jun 2014 - Nikon D810
36.3 Megapixel, 5fps with 47 shots max burst, DSLR, Nikon F Mount
Shoots video at 1920x1080 60fps
Download the User Manual here.
Sep 2014 - Nikon D750
24.3 Megapixel, 6.5 fps with 25 shots max burst, DSLR, Nikon F Mount
Shoots video at 1920x1080 60fps
Download the User Manual here.
Nov 2014 - Sony a7 II
24.3 Megapixel, 5fps (max RAW burst shots not stated by Sony), Mirrorless, Sony E-Mount
Shoots video at 1920x1080 60fps
Download the User Manual here.
Feb 2015 - Canon EOS 5DS & Canon 5DS R
50.6 Megapixel, 5fps with 14 shots max burst, DSLR, EF Canon Mount
Shoots video at 1920x1080 30fps
Download the User Manual here.
Jun 2015 - Sony a7R II
42.4 Megapixel, 5fps with 23 shots max burst, Mirrorless, Sony E-Mount
Shoots video at 3840x2160 30fps
Download the User Manual here.
Sep 2015 - Sony a7S II
12.2 Megapixel, 5fps, 31 shots max burst, Mirrorless, Sony E-Mount
Shoots video at 3840x2160 30fps
Download the User Manual here.
Feb 2016 - Canon EOS-1D X Mark II
20.2 Megapixel, 16fps with unlimited max burst (until card is full), DSLR, Canon EF Mount
Shoots video at 4096x2160 60fps
Download the User Manual here.
Aug 2016 - Canon EOS 5D Mark IV
30.4 Megapixel, 7fps with 21 shots max burst, DSLR, Canon EF Mount
Shoots video at 4096x2160 30fps
Download the User Manual here.
Sep 2016 - Sony a99 II
42.4 Megapixel, 12fps (max RAW burst shots not stated by Sony), DSLR, Sony A-Mount
Shoots video at 3840x2160 30fps
Download the User Manual here.
Jun 2017 - Canon EOS 6D Mark II
26.2 Megapixel, 6.5fps with 21 shots max burst, DSLR, Canon EF Mount
Shoots video at 1920x1080 60fps
Download the User Manual here.
Aug 2017 - Nikon D850
45.7 Megapixel, 9fps with 170 shots max burst, DSLR, Nikon F Mount
Shoots video at 3840x2160 30fps
Download the User Manual here.
Oct 2017 - Sony a7R III
42.4 Megapixel, 10fps with 76 shots max burst, Mirrorless, Sony E-Mount
Shoots video at 3840x2160 30fps
Download the User Manual here.
Feb 2018 - Sony a7 III
24.2 Megapixel, 10fps with 89 shots max burst, Mirrorless, Sony E-Mount
Shoots video at 3840x2160 30fps
Download the User Manual here.
Sep 2018 - Canon EOS R
30.3 Megapixel, 8fps with 47 shots max burst, Mirrorless, Canon RF Mount
Shoots video at 3840x2160 30fps
Download the User Manual here.
Feb 2019 - Canon EOS RP
26.2 Megapixel, 5fps with unlimited max burst (until card is full), Mirrorless, Canon RF Mount
Shoots video at 3840x2160 30fps
Download the User Manual here.
Jul 2019 - Sony a7R IV
61 Megapixel, 10fps with 68 shots max burst, Mirrorless, Sony E-Mount
Shoots video at 3840x2160 30fps
Download the User Manual here.
October 2019 - Sony a9 II
24.2 Megapixel, 20fps with 239 shots max burst, Mirrorless, Sony E-Mount
Shoots video at 3840x2160 30fps
Download the User Manual here.
Nov 2019 - Canon EOS Ra (specifically for astrophotography)
30.3 Megapixels, 8fps with 47 shots max burst, Mirrorless, Canon RF Mount
Shoots video at 3840x2160 30fps
Download the User Manual here.
Jan 2020 - Canon EOS-1D X Mark III
20.1 Megapixel, 20fps with unlimited max burst (until card is full), DSLR, Canon EF Mount
Shoots video at 5472x2886 (12-bit RAW) 60fps
Download the User Manual here.
Jan 2020 - Nikon D780
24.5 Megapixel, 12fps with 100 shots max burst, DSLR, Nikon F Mount
Shoots video at 3840x2160 30fps
Download the User Manual here.
Jul 2020 - Canon EOS R6
20.1 Megapixels, 20fps with 240 max burst, Mirrorless, Canon RF Mount
Shoots video at 4K 60fps (manual not yet available for exact resolution)
Download the User Manual for the Canon EOS R6 here.
Jul 2020 - Canon EOS R5
45 Megapixels, 20fps with 180 max burst, Mirrorless, Canon RF Mount
Shoots video at up to 8K 8192x4320 29.97fps RAW or 4K 4096x2160 119.97fps
Download the User Manual for the Canon EOS R5 here.
Jul 2020 - Sony a7s III (designed to be primarily a 4K video camera)
12.1 Megapixels, 10fps with 1,000+ max burst, Mirrorless, Sony E-Mount
Shoots video at up to 4k 120fps
Download the User Manual for the Sony a7s III here.
Oct 2020 - Nikon Z 6II
24.5 Megapixels, up to 14fps, Mirrorless, Nikon Z Mount
Shoots video at up to 3840x2160 30 fps
Download the User Manual for the Nikon Z 6II here.
Oct 2020 - Nikon Z 7II
45.7 Megapixels, up to 10fps, Mirrorless, Nikon Z Mount
Shoots video at up to 3840x2160 60fps
Download the User Manual for the Nikon Z 7II here.
Jan 2021 - Sony Alpha 1
50.1 Megapixels, up to 30fps with 155 max burst (Compressed RAW), Mirrorless, Sony E-Mount
Shoots Video up to 8K 30fps or 4K 120fps
Download the User Manual for the Sony Alpha 1 here.
Sep 2021 - Canon EOS R3
24.1 Megapixels, up to 30fps, Mirrorless, Canon RF Mount
Shoots Video up to 6K 60fps RAW or 4K 120fps
Sony Announces The Alpha 9 II Full-Frame Mirrorless Camera
The needs of professional sports photographers and photojournalists working at the highest levels are answered in the new Sony α9 II. Extending on the performance of the original α9, the a9 II combines 20fps speed, no viewfinder blackout and AF/AE tracking at 60 calculations per second with enhanced connectivity, new mechanical shutter, improved weather sealing and robust workflow capabilities.
Sony Introduces the Alpha 9 II Mirrorless Full-Frame Camera. This page contains links to products, so if you find this site useful and use a link to make a purchase, I’ll get a small commission. Thanks!
From the Sony Press Release:
“Sony Electronics today announced Alpha 9 II (model ILCE-9M2). The latest model from Sony’s acclaimed line-up of α (Alpha) full-frame interchangeable lens cameras, the new model has been created to support working professionals in the fields of sports photography and photojournalism.
The new Alpha 9 II builds on the impressive legacy of the original Alpha 9, maintaining groundbreaking speed performance, including blackout-free continuous shooting (1) at up to 20 frames per second (2) with Auto Focus and Auto Exposure tracking at 60 calculations per second (3). Updates include significantly enhanced connectivity and file delivery, continuous shooting at up to 10 fps with mechanical shutter, and evolved AF performance with newly optimized algorithms, re-designed build to enhance durability and operability.
“The voice of our customers is absolutely critical to Sony – we are always listening,” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “The Alpha 9 II is the direct result of our work with agency, sports and news photographers since the launch of the original Alpha 9. We have added connectivity and network capabilities that drastically improve the professional workflow, while also making enhancements to design, interface and processing power that complete the user experience. Complemented by our extremely versatile E-mount system – with 55 native lenses introduced at this point including super-telephoto 600mm and 400mm G Master™ series lenses – this new camera is a tool unlike any other for professionals, whether in the field or on the field.”
Raising the Bar for Built-in Connectivity in the Professional’s Workflow
The Alpha 9 II includes a built-in 1000BASE-T Ethernet terminal, enabling gigabit communication for high-speed, stable data transfer operations. Additionally, File Transfer over SSL or TLS encryption (FTPS) is supported for increased data security and PC remote (tether) shooting performance is improved, with decreased release time lag and reduced live view screen delay when using the ‘Remote Camera Tool’ desktop application (4). The speed of the camera’s built-in wireless LAN functionality has also been increased, adding a stable and fast 5 GHz (IEEE 802.11ac) (5) band, in addition to the 2.4 GHz provided in the Alpha 9. IEEE 802.11a/b/g/n/ac standards are all supported.
Designed to improve the speed of news agencies’ workflow, the Alpha 9 II features a new Voice Memo function that allows spoken information to be attached to images in the form of voice memos that can be replayed when the images are reviewed. The voice data can also be included with images sent to an editor, giving them important information needed for effective editing. Alternatively, a field photographer can also use the ‘Transfer & Tagging add-on’ “Imaging Edge™” application (6) to transfer voice tags with the images to their mobile device and have the voice memos automatically (7) converted to text and added to the JPEG images in the form of IPTC metadata (8). All of this can be done automatically or manually selected by the photographer.
By combining wireless voice/image transfer and automatic voice-to-text conversion with the ability to auto-transfer images with attached voice memos via FTP, it is possible to shoot and transfer the results to an FTP server without ever having to operate a smartphone. FTP settings within the app can also be sent to a camera via Bluetooth®, allowing for a faster workflow.
The Platinum Standard for Speed & Auto Focus Performance
The new Alpha 9 II shares the same acclaimed 35mm full-frame stacked 24.2 MP (9) Exmor RS™ CMOS image sensor with integral memory as the original Alpha 9, giving it the same unmatched speed performance and outstanding image quality. The new model can shoot continuously and completely silently (10) at 20 fps for up to 361 JPEG images (11) or 239 compressed RAW images (12), with no viewfinder blackout allowing the photographer to follow the subject and action with no interruption to the EVF during picture taking. For times when mechanical shutter is preferred or required, the new Alpha 9 II has been improved to shoot at up to 10 fps, about 2x the speed of the Alpha 9.
The camera is able to function while continuously calculating Auto Focus and Auto Exposure at up to 60 times per second, with newly optimized AF algorithms that provide notably enhanced AF precision and performance, ensuring that even the most erratic subject motion that is associated with sports are captured with high precision. Also useful for sporting events, the camera now offers an anti-flicker shooting (13) mode that automatically detects and adjusts for the presence of fluorescent or artificial lighting to maximize image quality.
The advanced focusing system in the new Alpha 9 II is far beyond the capabilities of any professional camera. Comprised of 693 focal-plane phase-detection AF points covering approximately 93% of the image area, as well as 425 contrast AF points, the Fast Hybrid Auto Focus system achieves extremely fast and accurate performance, ensuring all fast-moving subjects are accurately captured. Additional notable focusing capabilities include Real-time Eye AF with right eye / left eye selection, Real-time Eye AF for animal (14) augmented with a new algorithm, Real-Time Eye AF for movie (15), Real-time Tracking (16), selectable focus frame color, Touch Pad focus point control while using the viewfinder and more. AF can also now continuously track even if continuous shooting is greater than f/16 (17), providing further accuracy for shots that require slower shutter speeds.
Refined Build & Operability
Upgraded BIONZ X™ image processing engine gains maximum benefit from the sensor’s fast readout speed; processor works with front-end LSI to enhance speed in AF/AE detection, image processing, face detection and accuracy, and more
Upgraded dust and moisture resistant (18) design to meet the needs of professionals in even the most challenging outdoor conditions; stronger sealing provided at all body seams as well as the battery compartment cover and media slot
Latest developed image-processing algorithm reduces noise in the medium-to-high sensitivity range while improving subjective resolution and image quality
5-axis optical in-body image stabilization system that provides a shutter speed advantage of 5.5 steps (19)
Improved grip configuration for even greater comfort and sure hold; compatible with Sony VG-C4EM Vertical Grip
Improved button design and feel; increased diameter and feedback of the ‘AF-ON’ button; a refined multi-selector joystick design; an exposure compensation dial lock button; and a redesigned shape and new position for the rear dial
Redesigned shutter mechanism to suppress even the slightest movement that can cause image blur; tested for durability in excess of 500,000 shutter cycles (20)
USB Type-C™ connector that supports fast USB 3.2 Gen 1 data transfer
Dual media slots that are both compatible with UHS-I and UHS-II SD cards, allowing higher overall capacity and faster read/write speeds
Digital audio interface has been added to the camera’s Multi Interface Shoe™ (MI Shoe), enabling the new ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit to be connected directly to the MI Shoe for cleaner, clearer audio recordings”
This page contains links to products, so if you find this site useful and use a link to make a purchase, I’ll get a small commission. As an Amazon Associate I earn from qualifying purchases. Thanks!
