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DJI Announces the Mavic 3 Classic
From the DJI Press Release: DJI Makes World’s Best Camera Drone More Accessible With Mavic 3 Classic
“November 2, 2022 – DJI, the world’s leader in civilian drones and aerial imaging technology, today makes the world’s best camera drone more accessible with the Mavic 3 Classic, giving creators a new way to experience the unparalleled Hasselblad camera and unbeatable flight performance of the Mavic 3 Series. Mavic 3 Classic features the same 4/3 CMOS 20-megapixel camera, 46-minute maximum flight time, and O3+ transmission system as the original Mavic 3 drone, without an additional telephoto lens. Mavic 3 Classic is compatible with existing DJI RC Pro, DJI RC, and DJI RC-N1 to put premium performance in a more affordable package, making it easy for drone creators to move up to the best flying camera on the market.
“The Mavic 3 series has always set the standard for what a drone can do, from the original Mavic 3 and Mavic 3 Cine that transformed aerial photography and cinematography, through the Mavic 3 Enterprise and Mavic 3 Thermal platforms for professional work,” said Ferdinand Wolf, Creative Director at DJI. “Now, DJI is moving forward to give more creators access to the photographic excellence and operational reliability that are the hallmarks of the Mavic 3 Series. With the launch of Mavic 3 Classic, we hope to see even more creators putting our top-of-the-line tools to work and pushing their creativity past their old limits.”
The Best Camera for Your Best Content
With the launch of Mavic 3 Classic, more creators will have full access to the wide possibilities afforded by the Mavic 3 4/3 CMOS Hasselblad camera. For video work, the camera captures up to 5.1K/50 fps, 4K/60 fps and 1080p/60fps using H.264 and H.265 encoders. In slow-motion applications, Mavic 3 Classic captures video at 4K/120fps and 1080p/200fps. Its 24mm equivalent focal length lens opens to an adjustable aperture spanning f/2.8 to f/11 for 12.8 stops of native dynamic range. When light hits the 20-megapixel sensor, it is processed in 12-bit RAW for photography and 10-bit D-Log for video, making the camera up to the challenge of accurately conveying the vivid colors, peak highlights, and detail-rich shadows of our world.
Because the Mavic 3 Classic camera is based on Hasselblad’s groundbreaking research and development, it is designed to capture true-to-life details matching what the human eye perceives. The Hasselblad Natural Colour Solution directly outputs photos and videos with genuine and accurate colors, and its HLG system for high dynamic range photography generates footage that does not require color tuning in post-production. Even in low-light scenarios such as sunrises and sunsets, a night shot video mode reduces visual noise to allow cleaner shots.
Intelligent in the Air and on Your Screen
Capturing the world’s images accurately is just the beginning of the creative process. Mavic 3 Classic is engineered to put the power of DJI’s flight technology at the service of every creator in a simple and easy-to-use interface that functions smoothly right out of the box, is customizable for the most precise control, and easily outputs images and videos for sharing, editing, and post-production.
Creators who have honed their skills on earlier versions of DJI’s drones will find themselves free to fly for up to 46 minutes with Mavic 3 Classic, which uses the same batteries as the rest of the Mavic 3 Series. The O3+ transmission system for flight control and video can display stellar 1080p/60fps video at a range of up to 15 kilometers (9.3 miles). Transmission distance is a proxy for signal strength, and Mavic 3 Classic should always be flown within the pilot’s line of sight.
From the first moments in the air, Mavic 3 Classic’s array of intelligent algorithms can begin tracking subjects, framing images and automatically moving the camera in cinematic flight patterns. The ActiveTrack 5.0 system uses multiple vision sensors to recognize subjects, lock them in frame, and move the drone and camera in concert to create professional-quality videos. With MasterShots, both shooting and editing functions are automated to make the creative process simple and effective even for new pilots still developing their personal visual language in the air.
Mavic 3 Classic features the automated QuickShots shooting modes that DJI pilots have come to love, as well as continued support for timelapse, hyperlapse, and panorama shooting styles. The new Cruise Control feature allows pilots to set a constant flight speed for their drone, allowing them to focus on the imagery while minimizing any camera shake from manual speed control.
Once Mavic 3 Classic is back on the ground, turning raw imagery into classic content is easier than ever. The High-Speed QuickTransfer option allows quick image and video downloads direct from the drone to a mobile phone over Wi-Fi 6 at speeds up to 80 MB per second without connecting to the remote controller.
Safe and Certified
Mavic 3 Classic features a full array of safety features to help pilots steer clear of hazards and other aircraft while creating amazing content. It has eight visual sensors to detect obstacles in all directions, feeding that information to the APAS 5.0 system that can avoid obstacles and independently plan routes around them. Its advanced Return To Home system scans the environment from up to 200 meters away, then can plot the best path back to its launch point and fly that route if necessary.
DJI has always led the drone industry in safety technology, and Mavic 3 Classic continues that proud tradition. It is equipped with an AirSense ADS-B receiver, giving drone pilots awareness of airplanes and helicopters nearby that are transmitting ADS-B signals – often before the pilot can see or hear those aircraft. DJI’s GEO 2.0 geofencing system gives drone pilots information about airspace restrictions and potential flight hazards in the area, providing an extra margin of safety for flight operations. To learn more about DJI’s safety leadership, visit dji.com/flysafe.
Like all DJI products, Mavic 3 Classic is designed with data security in mind. Creators never have to share their photos, videos or flight logs with anyone unless they choose to do so. The drone never has to be connected to the internet during flight, and transmission systems are encrypted for both the drone’s video signals and its flight controls. Even when flying high-profile photo and video assignments, DJI’s data privacy systems provide the discretion and protection that sensitive assignments demand. To learn more about DJI’s security leadership, visit security.dji.com/data/overview.
Mavic 3 Classic is ready for the latest generation of regulatory system compliance around the globe. In the United States, the Federal Aviation Administration (FAA) has approved Mavic 3 Classic’s means of compliance with Remote ID rules, as it has done for the other drones in the Mavic 3 Series. In Europe, the full Mavic 3 Series has been issued the world’s first C1 certificate under the new European Drone Regulation, allowing users to fly in the new A1 Open Category without taking a costly remote piloting licensing exam.
Price and Availability
The DJI Mavic 3 Classic is available for purchase today from store.dji.com and authorized retail partners in three purchase configurations:
Mavic 3 Classic (Drone Only) does not include a remote controller or charger, and is ideal for owners of existing DJI drones who are ready to move up to the top-of-the line camera performance of Mavic 3. It is compatible with any existing DJI RC-N1, DJI RC or DJI RC Pro controller. It is available for the retail price of US$1469.
Mavic 3 Classic includes a charger and the DJI RC-N1 remote controller. It is available for the retail price of US$1599.
Mavic 3 Classic (DJI RC) includes a charger and the DJI RC remote controller. It is available for the retail price of US$1749.
Mavic 3 Classic Fly More Kit includes two Intelligent Flight Batteries, a Battery Charging Hub (100W), 65W Car Charger, three pairs of Low-Noise Propellers, and a DJI Convertible Carrying Bag. It is available for the retail price of US$649.”
DJI Announces the new Mini 3 Pro Camera Drone with Rotating Camera
DJI, the world’s leader in civilian drones and creative camera technology, today introduces DJI Mini 3 Pro, its most powerful lightweight and portable camera drone.
DJI Announces the DJI Mini 3 Pro with Rotating Gimbal.
From the DJI Press Release: “DJI, the world’s leader in civilian drones and creative camera technology, today introduces DJI Mini 3 Pro, its most powerful lightweight and portable camera drone. Weighing less than 249 grams to be policy-friendly in many regions and countries, it delivers advanced features like 4K/60fps video, ActiveTrack, tri-directional obstacle sensing, and 90° gimbal rotation to shoot high-quality vertical imaging for social media, all while extending its flight time to well over 30 minutes. DJI Mini 3 Pro empowers users everywhere to fly mini, create big.
“When we launched the Mini drone series in 2019, our goal was to give everyone the easiest way to see the world from above for the first time,” said Ferdinand Wolf, Creative Director at DJI. “Through their images and stories, we discovered how capable a small aerial camera could be. Today, we share the integration of excellent flight capability, intelligence, and imaging versatility into our ultra-lightweight aerial camera. DJI Mini 3 Pro raises the bar on what a portable, powerful camera drone can achieve.”
Less Than 249 g, More Than Capable
According to the regulations of many countries and regions, drones under 250 grams have been placed in the safest drone category. At under 249 grams, Mini 3 Pro’s combination of weight, safety, and performance arrives as a new resource for content creators on the move and new pilots looking to fly. With this portable, powerful aerial camera, more people around the world will enjoy safe flight and access a large world of visual storytelling.
Expanding the Possibilities of a Mini Drone
Looking at where to take the Mini series next, DJI asked their users and found the perfect direction: integrate DJI’s excellent flight and imaging versatility into its smallest drone. In the end, DJI Mini 3 Pro is unbelievably powerful for a drone so compact. Like its predecessors – Mavic Mini, Mini 2, and Mini SE – it keeps the same compact foldability for packing and taking anywhere. But Mini 3 Pro was made with more built-in features than any other DJI drone its size, thanks to enhanced flight performance, camera system, battery life, and intelligent features that were previously only available in the Air and Mavic series.
Designed to Face New Possibilities
Every new iteration of a DJI product is an opportunity to explore one question: What can be done better? One unmistakable result of this exploration with Mini 3 Pro is a completely new structural design that brings several performance enhancements. The arms and propellers have been adjusted for more aerodynamic flight that increases flight time. This new design also mounts forward and backward dual-vision sensors at the very front of the drone, broadening sensing range for even safer flight. A complete gimbal redesign unlocks more camera angles than ever, enabling movements like tilt-up shots and vertical shooting. With a fresh, new look, DJI Mini 3 Pro truly unlocks more creative possibilities.
Obstacle Sensing for Safer Flight
In a first for the Mini drone series, DJI Mini 3 Pro features Tri-Directional Obstacle Sensing, consisting of forward, backward, and downward visual sensors. The forward and downward sensors have a wider field of view, providing seamless coverage for better route planning and environmental awareness. These sensors also enable Advanced Pilot Assistance Systems (APAS) 4.0, which automatically detects and finds a safer path around obstacles during flight. [[1]] In addition, these sensors also enable the entire FocusTrack suite, which allows users to select a subject that the drone automatically keeps within the center of the frame during flight while automatically planning a safe flight route. Thanks to its upgraded sensing system, DJI Mini 3 Pro is the first of the Mini lineup to integrate APAS and FocusTrack.
A Camera System for Pro-Quality Content
DJI Mini 3 Pro also brings a completely enhanced imaging system. A 1/1.3-inch CMOS camera sensor has dual native ISO, a capturing technology previously only available on cinema and some micro single cameras. It also has an aperture of f/1.7 and shoots images at up to 48MP and video at up to 4K/60fps. To help capture high-quality easy-to-upload content, the camera rotates 90 degrees for True Vertical Shooting, creating incredible photos and videos in portrait orientation without quality-cutting image zooming and cropping. For the most vivid detail, HDR video recording is available at frame rates up to 30fps. A Normal color profile is available for quick in-app editing, while D-Cinelike allows for more post-editing possibilities. Digital video zoom at up to 2x is available in 4K, 3x in 2.7K, and 4x in Full HD. Among the key pieces of user feedback we’ve applied, DJI Mini 3 Pro also has improved image performance with 2.4μm pixels that capture more image detail, which is especially helpful in low lighting and night.
Extended Battery Life and Transmission Distance
Even though DJI Mini 3 Pro is under 249 grams, it still arrives with extended flight time. At a maximum flight of 34 minutes, Mini 3 Pro can capture more landscapes and destinations on a single charge. To give users more choice, Mini 3 Pro also introduces an extended flight battery option for the first time in DJI drone history. The Intelligent Flight Battery Plus allows for a maximum flight time of 47 minutes, an unprecedented capability for a drone this size. [[2]] Pairing perfectly with this extended flight time, Mini 3 Pro features the O3 transmission system, which delivers a crisp 1080p live view from a distance as far as 12 km. [[3]]
Capture Like a Pro with Intelligent Features
The enhancements onboard DJI Mini 3 Pro already make it an excellent flying camera, but that’s not all. A full suite of intelligent capturing modes from DJI's Air and Mavic series is now available on Mini 3 Pro to let you create like never before. With a single tap, you can do the following:
FocusTrack Suite [[4]]
Spotlight 2.0 keeps the subject in frame while you fly manually.
Point of Interest 3.0 circles the subject in a set flight radius and speed.
ActiveTrack 4.0 follows the subject in two selectable ways:
Trace: The aircraft tracks the subject at a constant distance
Parallel: The aircraft tracks the subject while flying beside it at a constant angle and distance
QuickShots
Dronie: Aircraft flies back and up with the camera locked on the subject.
Helix: Aircraft flies up and spirals around the subject.
Rocket: Aircraft flies up with the camera facing down.
Circle: Aircraft circles around the subject.
Boomerang: Aircraft flies around the subject in an oval path, ascending as it flies away and descending as it returns.
Asteroid: Aircraft creates a shot that begins as a sphere panorama high above the subject and ends with a normal shot hovering near the subject.
MasterShots: Keeps the subject in the center of the frame while executing different maneuvers in sequence to generate a short cinematic video.
Hyperlapse: Creates a dynamic timelapse where the aircraft flies on set paths during capture.
Introducing DJI RC
DJI Mini 3 Pro is perfect for those flying for the first time or coming back for more. To meet everyone’s needs, DJI also is expanding its remote controller lineup with DJI RC, a lightweight remote controller with a 5.5-inch built-in touchscreen. [[5]] With the DJI Fly app already integrated, users don’t need to mount their smartphone to their controller, freeing their personal device during the flying experience.
Accessories to Boost Your Flight
To get the most out of every flight, DJI Mini 3 Pro arrives with several accessories: [[6]]
DJI Mini 3 Pro Intelligent Flight Battery has a maximum flight time of 34 mins
DJI Mini 3 Pro Intelligent Flight Battery Plus has a maximum flight time of 47 mins [2]
DJI Mini 3 Pro Two-Way Charging Hub charges Mini 3 Pro Intelligent Flight Batteries in sequence
DJI Mini 3 Pro ND Filters Set (ND 16/64/256) lets Mini 3 Pro capture more detail in the brightest of conditions
DJI Mini 3 Pro Propellers are essential to help ensure reliable flight every time
DJI 30W USB-C Charger charges an Intelligent Flight Battery to 0-100% in just 64 minutes and an Intelligent Flight Battery Plus in 101 minutes
Price and Availability
DJI Mini 3 Pro is available for pre-order today from store.dji.com and most authorized retail partners in several configurations with shipping starting by late May. DJI Mini 3 Pro (no remote controller) retails for $669 USD and includes DJI Mini 3 Pro, and excludes any remote controller for those who already have a compatible model to control the drone. [[7]] DJI Mini 3 Pro retails for $759 USD and includes DJI RC-N1. DJI Mini 3 Pro (DJI RC) retails for $909 USD and includes DJI RC.”
DJI Mavic 3 vs. DJI Air 2S - Image Quality Tests, Comparison and Review
Well it’s finally here… the DJI Mavic 3! This announcement was exciting (if you’re a camera nerd like me) because it is the first time I’m aware of that we have a compact, foldable drone with a 4/3 sensor (17.3mm x 13mm). This size sensor was previously only available on a Zenmuse X5, which requires an Inspire to use. Ever since the Phantom 4 Pro was released in 2016 any drones smaller than an Inspire maxed out with a 1” sensor (13.2mm x 8.8mm).
Having a larger sensor should mean less noise and more detail. So naturally I wondered… does the new DJI Mavic 3 beat my previous compact favorite, the DJI Air 2S?
Is the Mavic 3 the best drone camera from DJI short of buying an Inspire 2? I tested it out in a few locations and compared it to the DJI Air 2S.
This page contains links to products, so if you find this site useful and use a link to make a purchase, I’ll get a small commission. As an Amazon Associate I earn from qualifying purchases. Enjoy!
Well it’s finally here… the DJI Mavic 3! This announcement was exciting (if you’re a camera nerd like me) because it is the first time I’m aware of that we have a compact, foldable drone with a 4/3 sensor (17.3mm x 13mm). This size sensor was previously only available on a Zenmuse X5, which requires an Inspire to use. Ever since the Phantom 4 Pro was released in 2016 any drones smaller than an Inspire maxed out with a 1” sensor (13.2mm x 8.8mm).
Having a larger sensor should mean less noise and more detail. So naturally I wondered… does the new DJI Mavic 3 beat my previous compact favorite, the DJI Air 2S?
Before we dive into image quality tests vs. the DJI Air 2S (a.k.a. Mavic Air 2S), let’s take a look at how the specs compare.
DJI Mavic 3 vs. DJI Air 2S - Specs
Mavic Air 2S
1” 20MP Sensor (3x2 Ratio)
22mm Focal Length
5472×3648 Photo Resolution
5472×3078 @ 24/25/30 fps Video
Fixed f/2.8 Aperture
Weight = 595g
Flight Time = ~30 Minutes
Wind Resistance = ~24mph
Mavic 3
4/3 20MP Sensor (4x3 Ratio)
24mm Focal Length
5280×3956 Photo Resolution
5120×2700 @ 24/25/30/48/50 fps Video
f/2.8 - f/11 Adjustable Aperture
Weight = 895g
Flight Time = ~45 Minutes
Wind Resistance = ~27mph
Besides having a larger sensor, the other interesting thing about the Mavic 3 is that it features a gimbal with TWO cameras. The telephoto camera not mentioned in the specs above is a smaller sensor with a lower resolution that only produces JPG’s, so I will go over that camera with samples after I compare the Mavic 3’s main camera to the DJI Air 2S.
PLEASE NOTE: I am overly meticulous about image quality and I think both of these drones are great for a variety of purposes. I am going to be nitpicking slight differences in image quality just because it’s interesting (to me anyway!) to see how different sensors can affect the details of your photos.
The first scene we will take a look at was a top down view of a park in the fall. Since the DJI Air 2S is 22mm and the Mavic 3 is 24mm, the Mavic 3 was at 300ft and the DJI Air 2S was at 275ft when these photos were taken in an attempt to make the comparison more similar. A perfect comparison was also difficult since the Mavic 3 is a 4:3 ratio camera and the Air 2S is 3:2 ratio.
Here are the overall images with no adjustments and default sharpening in Adobe Lightroom:
Looking at the above images you can see there is a bit of difference in color with no Lightroom adjustments and the white balance set to the default “daylight” settings. The DJI Air 2S seems a little on the red side, and there also seems to be more color in the Mavic 3 image straight out of the camera.
Let’s zoom in and compare some specific areas of the photos:
You can again see the color difference with these adjustment-free images. One of the things DJI promotes with the Mavic 3 is the “Hasselblad Natural Colour Solution” as a reason to consider paying the extra cost vs. the DJI Air 2S, and it looks like the Hasselblad sensor causes the color to “pop” a bit more. In the Mavic 3 image the red roofs are a cooler red and the ground is a warmer brown, which creates more color contrast for a more vibrant photo. The image from the DJI Air 2S seems a little bit more “drab” right out of the camera. You can certainly make colorful, compelling images with the Air 2S, but the Mavic 3 might have DNG files that start out with a slight advantage.
Even though I prefer the color of the Mavic 3, the DJI Air 2S definitely has a very sharp lens at the center and I’m impressed it was able to keep up with the larger camera on the Mavic 3 in the center of the frame. Both cameras are 20-megapixel and there’s not really much difference in detail.
Let’s see what happens if we venture a little farther away from the center of the lens:
In the above images we can start to see some differences in sharpness. When you look at this tree towards the edge of the frame you can see the photos taken at f/2.8 with both the Mavic 3 and DJI Air 2S are quite a bit softer than the Mavic 3 photo taken at f/5.6. The DJI Air 2S is always at f/2.8 because its aperture is not adjustable, whereas the Mavic 3 has an adjustable aperture. If you are taking photos in the daytime with the Mavic 3, you will almost always want to stop down and avoid using f/2.8 so you can maximize the edge to edge sharpness.
You can again see better color separation with the Mavic 3 over the DJI Air 2S. The colors are more vibrant and varied with the Mavic 3 and the DJI Air 2S almost seems more monochromatic.
Another notable difference in the tree crops is the DJI Air 2S is noisier in the shadow of the tree than in the Mavic 3 photo.
Let’s take a look at a scene with a lake. I tried to make these photos look fairly similar with global adjustment sliders in Adobe Lightroom, but an apples-to-apples comparison didn’t happen here because the sunlight was changing pretty quickly:
I took the above photos knowing the images would be different due to quickly changing lighting, but I wasn’t sure what differences I might find when I started looking closely on the computer. Let’s zoom in on some interesting differences I noticed in the shadows of the foreground:
Keep in mind that these are edited photos. I have saturation at +22 for the DJI Air 2S but just +18 for the Mavic 3. Looking at the above images, you can see the Mavic 3 managed to figure out all the various warm color variations of the leaves in the shadows and their color “pops” against the cooler green color of the grass. In the DJI Air 2S photo the leaves, grass, and trees all sort of blend together with a similar color. The Mavic 3 also managed to figure out the reddish-brown color in the edge of the woods under the trees on the left.
Let’s take a look at another area:
In the crops above it is apparent that there’s quite a bit more noise in the DJI Air 2S photo, which is a a close up of an area that was in the shadows. The Mavic 3 crop you can see individual waves on the water, but in the DJI Air 2S crop it’s a little too noisy to see the waves. You can also compare the brown-leaf tree on the right and the green tree on the left and see the Mavic 3 once again does better distinguishing the color differences of the brown and green leaves against the blue water. The DJI Air 2S crop (which is taken from towards the corner of the frame) is a bit softer than the Mavic 3 shot. The Mavic 3 shot is nice and sharp but shows a tiny bit of aberration on the white boat lift frame.
For my final test I took the drones indoors for a controlled test at ISO 1600 to see what the noise would look like. I used a chair with some crayons as a subject:
Both of these images are at f/2.8, ISO 1600, 1/8th shutter speed, with Vibrance & Saturation +/-0 in Adobe Lightroom. I did overcompensate the focal length difference and placed the Mavic 3 a little bit too far away (it was farther away than where the DJI Air 2S was placed), but we can still check out the noise difference when we zoom in on the crayons:
If you look at the top part of the wrapper of the yellow crayon, you can once again see the Mavic 3 creates better color separation with the orange mark on the yellow wrapper. The Mavic 3 sensor causes the orange mark to stand out as a different color than the wrapper, but the DJI Air 2S renders the orange mark as a similar color. You can also see that there is noticeably less noise on the red chair behind the crayons in the Mavic 3 crop vs. the DJI Air 2S crop.
Should you Buy the DJI Air 2S or the Mavic 3?
I have been using the DJI Air 2S extensively since it came out. It really is a great compact drone and the center of the lens is very sharp. There are a couple things I don’t like about it, however. The aperture is stuck at f/2.8, and if there’s one aperture setting I never imagined myself using to photograph sweeping landscapes it’s f/2.8 (haha)! Usually when I use my “big” camera to take landscape or architectural photos on a tripod I stay away from being “wide open” at the brightest aperture setting because that reduces my depth of field and can soften the edges of the frame, especially at wide focal lengths. With the DJI Air 2S your only choice of aperture is f/2.8. This also makes ND filters absolutely essential to control frame rates when shooting video.
One other thing I don’t like about the DJI Air 2S (and I’m really nitpicking here) is that the edges of the frame are not nearly as sharp as the center of the image, and this seems to be exacerbated by the fact that it is 22mm instead of 24mm. Objects at the edge of the frame are a little more distorted at 22mm than at 24mm.
Despite the aforementioned minor issues, overall the DJI Air 2S is great for a variety of purposes. It’s great for real estate, decent for landscapes, more than enough for hobbyists, and is a lot of fun. The reason I probably will be using the Mavic 3 for most landscapes is reduced noise, sharper frame edges, greater depth of field when stopping down to around f/5.6, and improved color rendition.
The basic Mavic 3 package is more than double the price of the DJI Air 2S. For that cost difference you get a little better image quality, an adjustable aperture, 50% more flight time, and slightly improved wind resistance. Due to the enormous difference in price the choice is certainly debatable, but if you’re serious about landscape photography and want more control over your photo & video settings the improvements might be worth the extra cost.
What’s Up with that Mavic 3 Telephoto Lens?
The gimbal on the Mavic 3 has two lenses and two sensors. The lower lens & sensor is the primary 24mm camera with the 4/3 sensor that produces JPEG & RAW images at 5280 × 3956. The upper camera is a 162mm fixed lens (7x optical zoom) with a 1/2-inch sensor that produces 4000 × 3000 images (RAW shooting only available if firmware is updated after May of 2022).
In order to use the telephoto camera you have to click the little binoculars icon on the right of the Go Fly app interface, which puts the camera into “Explore” mode. Once in explore mode you can click the “1x” button to see a variety of zoom levels all the way up to 28x.
One thing to be aware of is that most of the zoom levels are digital zoom, not optical. Both lenses on the Mavic 3 gimbal are prime lenses, not zoom lenses. Since there are two fixed focal length lenses, there’s really only two levels of detail you’re capturing. In “Explore” mode, 1x, 2x, and 4x are simply using a digitally zoomed (cropped) photo from the 24mm lens, and 7x, 14x, and 28x use the 162mm lens. To illustrate what this means, here are all the different zoom levels cropped into the yellow slide:
You can see a slight increase in detail going from “Explore Mode” 1x to 2x, but then 4x looks identical. I think there is an increase in detail going from 1x to 2x because at 1x it is using the 5280 × 3956 sensor to create a 4000 × 3000 image, which causes loss of detail (there’s less detail in 1x “Explore Mode” than in standard mode). The 7x, 14x, and 28x zoom levels all look pretty much identical.
If you’re not taking video, the only reason to use anything other than standard mode or 7x is If you want to use the different zoom levels to simply view your surroundings for fun (sort of like using flying binoculars). Many Mavic 3 pilots will find it fun to look around and zoom in on things in their vicinity from the air, and won’t be worrying about trying to print large photos with the lower resolution telephoto camera.
If you are creating a video, you can use the digital zoom functionality in Explore mode to add zoom effects to your video, but don’t expect to zoom in to 28x and capture super sharp details in your footage.
Mavic 3 Cine vs. Fly More Combo
Most of DJI’s recent drones offer “Fly More Combos” to purchase, which bundle the basic drone package with extra accessories like extra propellers, batteries, charging hubs, and other items at a slight discount to what you’d pay if you bought all the accessories separately. The basic drone package will get you flying, but if you buy the “Fly More Combos” you will be prepared for more frequent flights in a wider variety of situations. The Mavic 3 once again offers the “Fly More Combo,” but in addition you can instead buy the “Mavic 3 Premium Cine Combo.” You get the exact same aircraft whether you buy the base package or the “Fly More Combo,” but the “Mavic 3 Cine” is actually a special aircraft that includes 1TB of super fast internal storage and the capability to shoot videos in Apple ProRes 422 HQ.
Below are the different packages you can buy. For the “Fly More Combo” and the “Cine Premium Combo” I noted the difference between the combo and the standard package.
Mavic 3 Basic Package
The essential items included when you buy the basic Mavic 3 package.
Mavic 3 Fly More Combo
The items you get when you buy the Fly More Combo.
DJI Mavic 3 Cine Premium Combo
The items included with the Mavic 3 Cine Premium Combo.
DJI on Amazon.com
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DJI Announces the Dual-Camera Mavic 3 Drone
Mavic 3 is redesigned from tip to tail as worthy of the Mavic series’ reputation as the world’s best and most popular drones. From its 4/3 CMOS Hasselblad camera and 28x hybrid zoom camera, to its omnidirectional obstacle sensors with a maximum 200-meter range, [1] to its redesigned batteries that provide up to 46 minutes of flight time, Mavic 3 provides unprecedented flight performance and a peerless content creation experience.
The New Mavic 3 Dual-Camera Drone
This page contains links to products, so if you find this site useful and use a link to make a purchase, I’ll get a small commission. As an Amazon Associate I earn from qualifying purchases. Thanks!
From the DJI Press Release: “DJI, the global leader in civilian drones and creative camera technology, today reimagines what a drone can be with the new Mavic 3, a bold and brilliant update of the iconic folding camera drone that once again redefines how to create magic from the sky. Mavic 3 is the most comprehensive improvement to the world’s most popular drone series in three years, boosting performance in every function to create new aerial possibilities for flight, photography, and fun.
Mavic 3 is redesigned from tip to tail as worthy of the Mavic series’ reputation as the world’s best and most popular drones. From its 4/3 CMOS Hasselblad camera and 28x hybrid zoom camera, to its omnidirectional obstacle sensors with a maximum 200-meter range, [1] to its redesigned batteries that provide up to 46 minutes of flight time, Mavic 3 provides unprecedented flight performance and a peerless content creation experience. Its upgraded hardware and software can process 5.1K video at 50 frames per second in supple and nuanced color with heightened low-light sensitivity, and support 4K/120fps for higher-quality results for slow-motion footage. An enhanced Mavic 3 Cine edition offers Apple ProRes 422 HQ encoding for richer video processing, with an internal 1TB SSD onboard for high-speed data storage.
“Creating the Mavic 3 was an arduous journey for our engineers who tackled complex technical problems to serve the goal that the Mavic series has always met – build professional-quality imaging and flight technology into a compact consumer drone,” said Ferdinand Wolf, Creative Director, DJI Europe. “The result is incredible. Mavic 3 enables users to effortlessly make epic shots without compromising on small size, stunning performance, pervasive flight safety, and dazzling image quality. We are confident that this drone will astonish videography and photography enthusiasts, as well as professional production houses and media workers around the globe.”
Imaging Above Everything With A Dual-Camera System
DJI pioneered the folding drone category in 2016 with the launch of the original Mavic Pro, which for the first time put professional-quality imaging in a body that could fit in a backpack. Two years later, Mavic 2 Pro launched DJI’s collaboration with iconic Swedish camera maker Hasselblad, integrating a one-inch sensor to push the boundaries of drone imagery further. With its new dual-camera Hasselblad system, Mavic 3 once again sets the new standard for imaging excellence.
DJI Mavic 3’s customized L2D-20c aerial camera embeds a professional-grade 4/3 CMOS sensor with a 24mm prime lens in a sleek and compact form. Rigorous Hasselblad standards for hardware performance and software algorithms allow it to shoot 20MP still images in 12-bit RAW format and videos in 5.1K at 50fps, 4K at 120fps.The higher video definition creates smoother footage and more generous cropping possibilities and allows for slow-motion video at 120fps.
The larger image sensor gives Mavic 3 higher video resolution and dynamic range and more effectively suppresses noise in low-light environments. A native dynamic range of 12.8 stops helps retain more details in highlights and shadows, preserving rich visual information with a greater sense of depth and elevating imagery to a professional level. An adjustable aperture of f/2.8-f/11 is available to meet the needs of aerial photographers in a wide variety of lighting scenarios to get sharper and clearer images.
Weighing just 12.5 grams, the 24mm equivalent autofocus prime lens has an 84° FOV to capture more details with sharp clarity. Mavic 3’s second camera features a 162mm tele lens with 28x Hybrid Zoom (digital + optical) and aperture of f/4.4 that can freely bring distant objects visually closer, offering the user more dynamic perspectives and creative possibilities at a distance. The new Vision Detection Auto Focus technology for quick focusing allows the Hasselblad camera to work with multiple vision sensors on board to capture distance data to optimize focusing speed.
Mavic 3 delivers a deeply accurate color palette straight out of its camera thanks to the unique Hasselblad Natural Colour Solution (HNCS), built on decades of photographic experience and introduced to DJI cameras with Mavic 2 Pro. With professional imaging performance, Mavic 3 records aerial videos at high resolutions and framerates and captures up to 1 billion colors thanks to the 10-bit D-Log color profile, offering natural color gradations and advanced flexibility in post-production.
Mavic 3 Cine is a version with Apple ProRes 422 HQ encoding for a maximum data rate of 3772Mbps, giving professional users a powerful tool to satisfy post-production needs in their daily business. [2] To handle the large amounts of data from the ProRes codec and high frame rate videos, Mavic 3 Cine comes with a built-in 1TB SSD. For a smoother export experience, the new DJI 10Gbps Lightspeed Data Cable helps transfer large data files rapidly.
Effortless Flights With Enhanced Flight Safety
DJI has always led the drone industry in developing innovative safety features, and Mavic 3 continues this tradition with improved obstacle sensing and navigation systems to give drone pilots the guidance they need to stay safe. APAS 5.0 combines inputs from six fish-eye vision sensors and two wide-angle sensors, which seamlessly and continuously sense obstacles in all directions and plan safe flight routes to avoid them – even in complicated environments. [3]
The omnidirectional obstacle sensing system also enables more intuitive subject tracking with the upgraded ActiveTrack 5.0, [4] allowing users to sense obstacles even in Normal mode. Previous iterations of ActiveTrack enabled the camera to follow a subject as it moved directly toward and away from the drone while remaining largely stationary as well as fly alongside a moving subject. ActiveTrack 5.0 allows Mavic 3 to move with the subject as it moves forward, backward, left, right, and diagonally, and fly alongside as well as around a moving subject. In addition, if the subject moves too fast and temporarily goes out of frame, the visual sensors on the aircraft will continue to track and frame the subject intelligently and pick it back up when it reappears. These new directions enable much more fluid and diverse drone and camera movement while using ActiveTrack.
Mavic 3 comes with a powerful positioning algorithm that improves hovering precision with signals from GPS, GLONASS, and BeiDou satellites. This enables Mavic 3 to lock onto multiple satellite signals faster than ever. The increased positioning precision also makes Mavic 3 less likely to drift in the air and more stable when shooting long exposures and timelapses.
Mavic 3 features other robust safety systems that DJI has pioneered to keep the skies safe in the drone era. These include geofencing to alert drone pilots when they fly near sensitive locations, altitude limits to ensure pilots are aware of altitude restrictions, and the AeroScope Remote ID system that allows authorities to identify and monitor airborne drones in sensitive locations. Mavic 3’s integrated AirSense system, first widely introduced in DJI Air 2S, warns drone pilots of nearby airplanes and helicopters transmitting ADS-B signals, so they can quickly fly to a safer location.
Longer Flights With Extended Battery Life And Improved Aerodynamics
DJI set a benchmark for drone endurance in 2016 with the Phantom 4 and the original Mavic Pro, which each featured maximum flight times approaching 30 minutes. In the succeeding years, new drone models have slowly increased those times thanks to incremental improvements in flight technology. With Mavic 3, DJI has reshaped every element of the drone’s flight envelope and power management to enable drastically longer flight times – up to 46 minutes in ideal conditions – giving unprecedented freedom for aerial photographers to shoot dynamic scenes.
DJI developed motors and propellers with higher energy efficiency, created a higher-capacity battery, and reduced the weight of the drone’s structure and components. DJI also streamlined the shape of Mavic 3’s arms, body, and gimbal on aerodynamic principles. Wind tunnel testing shows Mavic 3 produces 35% less drag than previous generations, allowing faster top speeds.
Return Safely With Advanced RTH
DJI’s Return To Home (RTH) system has enhanced the safety of DJI drones for years, automatically directing a drone back to its starting point if it runs critically low on battery or loses connection to the controller. The drone would ascend high enough to clear any obstacles in its path, fly back in a straight line, and descend straight down to the home point. Mavic 3 updates and improves this system by allowing the aircraft to automatically determine the shortest, safest, and energy-efficient route to land back at its home point. At the same time, the drone measures the wind speed of the current environment and calculates the power required for returning home based on the wind speed and the return path in real-time. This provides users with more time flying safely before triggering the RTH action.
Signal Loss Prevention with DJI O3+
DJI O3+ is an upgraded transmission system that delivers stable, smooth, and clear video transmission even under challenging conditions, such as flying a drone in an environment with strong signal interference. With a maximum control range of 15km, [5] O3+ enables Mavic 3 to fly further and transmits signals with higher stability and less video lag, offering the pilot a greater peace of mind during flight. Mavic 3 is DJI’s first drone that offers a High Frame-Rate Transmission with a 1080p/60fps live feed. This means the camera view is displayed at a resolution close to what the camera actually records. O3+ also makes Mavic 3 more responsive to the pilot’s control.
Intelligent Modes for Unlimited Possibilities
Mavic 3 offers a new array of Intelligent modes for creating and editing compelling photos and videos by controlling the flight path and camera movements in compelling new ways. These features, such as MasterShots, Panorama mode, and QuickTransfer, allow users to make the most out of their drone.
MasterShots [4] lets users create high-quality content more easily and quickly. After automatic editing and dubbing in the app, videos can be created in minutes and directly shared with friends.
Panorama Mode [4] in Mavic 3 allows pictures to be directly stitched and processed by the drone, without the DJI Fly App or any post-production, allowing users to capture breathtaking landscapes with sweeping breadth and rich detail.
QuickTransfer [4] lets users store and process materials on their mobile devices without linking with the remote controller. Mavic 3 can now transmit materials from the drone to the mobile device more quickly through the Wi-Fi 6 protocol.
New, Advanced Accessories
Along with a suite of new features and performance innovations, DJI introduces new ways to control, capture with, and carry DJI Mavic 3.
The new smart controller DJI RC Pro offers a smoother control experience, upgraded with enhanced antenna power for an extended transmission distance of up to 15 km. [5] Its 1000-nit high-bright screen allows better vision and control for outdoor flights. Its battery system offers an extended operating time of up to three hours and charging as fast as 90 minutes.
The DJI 65W Portable Charger allows a fast-charging option with a charging time of approximately 96 minutes and is compatible with current notebooks and smartphones thanks to its USB Type-C output.
The DJI Convertible Carrying Bag features an entirely new design with a backpack and shoulder bag configuration for taking Mavic 3, accessories, a laptop, and even clothes and other personal items for a weekend trip in style.
The DJI Mavic 3 Wide-Angle Lens offers an FOV of up to 108° for a more immersive FPV-style flight experience.
The DJI Mavic 3 Storage Cover uses a lightweight, minimalist design to protect the camera, gimbal, and propellers when folding and transporting Mavic 3.
The DJI ND Filters Set comes in two ranges – ND4/8/16/32 and ND64/128/256/512 – and lets the camera excel in any bright lighting condition.
The DJI 10Gbps Lightspeed Data Cable enables users to download materials from the drone to their computer at high speed. Material backup is available on-site, thanks to high-speed transmission.”
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Autel Robotics Announces Evo Lite and Evo Nano Foldable Drones
Autel Robotics has announced their new Nano and Evo series of foldable drones to compete with DJI’s Mavic and Mavic Air series drones.
Autel has announced their Evo Nano and Evo Lite series of drones. Currently their website doesn’t have a specs page or user manual for these yet, but here is some of the info I gathered from their website.
Autel Robotics has announced their new Nano series of foldable drones.
Evo Nano Series
From Autel’s Website:
Evo Nano +
“EVO Nano+ is packed a 1/1.28-inch(0.8-inch) CMOS sensor capable of 50 MP photos. A RYYB color filter array design with a large aperture of f/1.9 offers superior noise reduction capabilities and the power to effortlessly produce quality images in low- light conditions. Track fast-moving subjects with incredible precision through PDAF + CDAF autofocus system; Squeeze rich detail from shadows and highlights no matter how extreme the lighting conditions using HDR mode, which rapidly snaps several photos at different exposures so they can be stitched together in post-production.”
0.8-inch Sensor
50 Megapixel Photos
Fixed f/1.9 Aperture
Evo Nano
“…equipped with a 48MP camera that can record ultra sharp 4K/30fps video. Paired with a three-axis mechanical gimbal to prevent vibration, the Nano provides everything you need to ensure your footage is smooth and stable no matter how rough the conditions.”
0.5-inch Sensor
48 Megapixel Photos
Fixed f/2.8 Aperture
Autel Robotics has announced their new Evo series of foldable drones.
Evo Lite Series
From Autel’s Website:
Evo Lite +
“Equipped with a 1-inch CMOS image sensor and Autel's intelligent moonlight algorithm, the EVO Lite+ can capture crisp, vibrant details at night with low noise — even when the ISO is cranked up high.
Flex your creativity with an adjustable aperture from f/2.8-f/11, giving you the ability alter exposure and depth of field in imaginative ways that show off your unique artistic style.”
1-inch Sensor
20 Megapixel Photos
Adjustable f/2.8-f/11 Aperture
6K 30p Video
Evo Lite
0.8-inch Sensor
50 Megapixel Photos
4K HDR Video
“Experience a new level of image quality thanks to a supersensitive 50MP camera equipped with a 1/1.28-inch CMOS sensor. The camera adopts an RYYB color filter array design, which absorbs 40% more light than traditional RGGB arrays, allowing you to capture natural scenery in all its glory.”
Canon Officially Announces their Most Technologically Advanced Full-Frame Mirrorless Camera - the EOS R3
The core of the EOS R3 features a Canon designed and manufactured 24.1-megapixel back-illuminated stacked CMOS sensor. The sensor is the first of its kind from Canon, and when combined with the DIGIC X processor, delivers a high-speed readout allowing for continuous blackout-free shooting1 at up to 30 fps in electronic (silent) shutter mode and up to 12 fps in mechanical shutter, with minimum rolling electronic shutter distortion. The combination also increases the high sensitivity, light-capturing efficiency of a native ISO range of 100-102400, expandable up to 204,800 for still images. Like the EOS R5 and R6, the camera features the improved Dual Pixel CMOS AF II with 1,053 AF Points and evolved EOS iTR tracking down to EV -7.5 for subjects such as eye, face, head, animals2, and select cars and motorcycles. In addition, the camera features up to 8 stops3 of in-body image stabilized (IBIS) shake correction.
The new Canon EOS R3 Full-Frame Mirrorless Camera has been officially announced
From the Canon Press Release (September 14, 2021): “Building on the success of the EOS R camera series, Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the next leap forward in full-frame mirrorless cameras - the professional-grade Canon EOS R3. The new camera leverages the advancements in technology that Canon has developed since the original EOS R launch in 2018 and bridges the gap between the immensely popular EOS R5 and the world-renowned Canon flagship EOS-1D X line. The EOS R3 is the first “3” series camera from Canon since the widely used EOS-3 film camera launched in 1998.
The EOS R3 camera’s features greatly emphasize superb AF performance and speed with fast-moving subjects. It was designed to meet the reliability and durability demands of professionals, even when working in some extremely challenging conditions.
“The launch of the EOS R3 sets a new benchmark for the Canon EOS R camera system. Canon listened carefully to the voices of professionals when developing a camera to meet their standards,” said Tatsuro “Tony” Kano, executive vice president and general manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “The EOS R3 is a monumental evolution in digital imaging technology. I look forward to seeing the camera in action on the sidelines of sporting events and in the hands of nature and wildlife photographers across the globe.”
The core of the EOS R3 features a Canon designed and manufactured 24.1-megapixel back-illuminated stacked CMOS sensor. The sensor is the first of its kind from Canon, and when combined with the DIGIC X processor, delivers a high-speed readout allowing for continuous blackout-free shooting1 at up to 30 fps in electronic (silent) shutter mode and up to 12 fps in mechanical shutter, with minimum rolling electronic shutter distortion. The combination also increases the high sensitivity, light-capturing efficiency of a native ISO range of 100-102400, expandable up to 204,800 for still images. Like the EOS R5 and R6, the camera features the improved Dual Pixel CMOS AF II with 1,053 AF Points and evolved EOS iTR tracking down to EV -7.5 for subjects such as eye, face, head, animals2, and select cars and motorcycles. In addition, the camera features up to 8 stops3 of in-body image stabilized (IBIS) shake correction.
Leveraging technology and performance feedback from the popular EOS R5 and EOS R6 cameras, the EOS R3 uses Deep-Learning technology to further enhance eye and body detection for even better performance during portrait and action-type shooting. Featuring a new 5.76-million-dot and 120fps blackout-free1 Electronic Viewfinder, the EOS R3 camera will provide photographers with the ability to select the initial area for AF tracking by simply looking directly at the viewfinder location where they want to begin AF. With Eye input AF2 and Servo AF activated, the camera will focus on and track moving subjects at that location in the frame. When Face Detect + Tracking is active, the camera will continue to follow moving subjects around the entire active AF area.
The EOS R3 camera doesn’t just capture spectacular still images, it also packs impressive video specs as well. The camera is capable of shooting 6K 60p RAW and 4K 120p 10-bit uncropped video with Canon Log 3 support, in addition to the possibility for oversampled 4K and RAW movie internal recording. Canon Log 3, which is frequently used in cinema production, helps to reduce the possibility of highlight blowouts. What’s more, the features such as industry standard BT.709, BT.2020 color gamuts, and cinema gamut help to maintain color and tonal consistency. Coordinated 5-axis IBIS helps to correct operator motion or shaking providing dependent video capturing even when using a lens without built-in Optical IS.
Additional features of the EOS R3 Full-Frame Mirrorless Camera include:
Canon’s next-generation Multi-Function Shoe that is compatible with a variety of accessories including the Speedlite EL-1, and new accessories such as the ST-E10 Speedlite Transmitter, External Mic and Smartphone Link Adapter
One-piece magnesium alloy design, integrating the body with a vertical grip section
Weather and dust resistance equivalent to EOS-1D camera models.
Mobile File Transmitter application for iOS® and Android® devices allows photographers to transfer their images quickly and easily without the need for wired LAN equipment
Built-in Wired LAN, 5GHz Wi-Fi®, USB and Bluetooth® technology
Dual-card slots, supporting one CF express and one UHS-II SD
The Canon EOS R3 Full-Frame Mirrorless Camera is scheduled to be available in November 2021 for a suggested retail price of $5999.00*. For more information, please visit usa.canon.com.”
Sony Enters the Drone Game with the Airpeak S1 Professional Drone
Sony Electronics Inc. today announced their first-ever professional drone, the "Airpeak S1"i. An introductory model in the new Airpeak line, the S1 is the world's smallestii drone that can be equipped with a full-size mirrorless interchangeable-lens Alpha camera, opening up a new world of creative possibilities.
The just-announced Sony Airpeak S1 Professional Drone, available Fall 2021.
From the Sony Press Release: “SAN DIEGO, June 9, 2021 /PRNewswire/ -- Sony Electronics Inc. today announced their first-ever professional drone, the "Airpeak S1". An introductory model in the new Airpeak line, the S1 is the world's smallestii drone that can be equipped with a full-size mirrorless interchangeable-lens Alpha camera, opening up a new world of creative possibilities.
The new drone utilizes a proprietary motor, propeller, control system and sensing technology, allowing it to fly at extremely high speeds with very stable wind resistance. Additionally, the Airpeak S1 features an advanced remote controller that can support the production of high-quality aerial images and freely control the aircraft. It also includes obstacle detection, automatic flight control via sensing and increased safety via cloud management of the aircraft and flight information.
"Sony is excited to launch our new drone business with the Airpeak S1," said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. "Combining an extremely compact size with some of Sony's most advanced imaging, sensing, AI and robotics technologies, the S1 will allow content creators, storytellers and commercial professionals to capture that which they've never been able to capture before."
Aircraft with Advanced Flight Performance
The new Airpeak S1 offers dynamic flying capabilities, including a maximum speed of 55mph (90km/h)iii, a maximum angular velocity of 180°/siv, and a maximum tilt angle of 55°v.
Propulsion technology using a combination of Sony developed key devices provides wind resistance in strong wind speeds up to 44.7mphvi (20m/s). An example can be viewed HERE.
Independently developed propulsion device and flight control system
In addition to the lightweight, highly efficient, sturdy and responsive proprietary 17" propeller and brushless motor, the Airpeak S1 is equipped with an ESC (Electric Speed Controller) for optimal control of these components. A unique, high-performance flight control system integrates the propulsion device and all sensor information to ensure stable flight and high maneuverability.
Stable Flight by Sensing
Stereo cameras equipped with Sony's image sensors are installed in 5 locations (front, back, left, right, bottom) of the aircraft. Sony's Vision Sensing Processor, which processes camera data at high speed and with low power consumption, and proprietary algorithms are used to accurately estimate the aircraft's spatial position and orientation in real time, enabling stable flight even in environments where GNSS (Global Navigation Satellite System) reception may be hindered, such as indoors or under bridges. The Airpeak S1 is also equipped with a unique high-performance flight control system that integrates all sensor information such as IMU (Inertial Measurement Unit), direction, barometric pressure and infrared ranging to optimize the propulsion device.
The Airpeak S1 uses Multi-directional sensors to enable its obstacle braking function. The front, rear, left and right stereo cameras and the infrared range-finding sensor mounted on the top recognize obstacles in the vicinity of the aircraft, allowing the aircraft to automatically decelerate and stop according to the behavior of the aircraft and the surrounding conditions.
Multiple Camera and Lens Variations
Users have the flexibility to choose the right Alpha system for their desired application to expand their filmmaking horizons. The Airpeak S1 is compatible with a wide range of camera bodies including: the Alpha 7S series and FX3 for high descriptive capability with suppressed noise, the Alpha 7R series for ultra-high definition, and the Alpha 9 series and others for distortion-free images. The Alpha 1, which can shoot footage in 8K, is also compatible.
Free Operability
The new professional drone includes "Airpeak Flight," an iOS® and iPadOS® compatible applicationvii that integrates the aircraft, transmitter, camera, and gimbal, allowing the operator to monitor status information such as flight distance and remaining battery power, and change various operations and settings on the screen.
Airpeak S1 also includes a dual operation mode so that one user can operate the drone, while another user can operate the gimbal and camera simultaneously, all while checking the same image, even in complicated scenes. The FPV (First Person View) camera, which can be tilt-operated from the remote controller, is mounted on the nose of the aircraft and is useful for the operator to check the direction of the aircraft and the direction of travel.
Highly Efficient Workflow with Automatic Flight
The new drone includes "Airpeak Base," a web application that allows the operator to manage equipment, create flight plans, and manage flight logs. In the equipment management, information on the equipment used is automatically listed and managed based on the flight log. This allows the operator to check the condition of the aircraft before going to the field, minimizing on-set issues.
With Airpeak Base, the operator can create advanced flight plans and automatically fly the aircraft along the same course repeatedly, as if the drone were on rails installed in the air. It is able to set the position (latitude, longitude and altitude) and speed of the aircraft along the timeline, and specify the orientation of the gimbal and the timing of video or still image shooting. It can also draw smooth curves on the map. Reproduction flight is an automatic flight function that reproduces the flight route, gimbal, and camera movements based on the flight logs that have flown in the past.
All aircraft information, including logs, can be uploaded to the cloud via the mobile app Airpeak Flight. Airpeak Base allows users to check the status of the aircraft and can provide notifications if necessary. Users can manage the status of all managed aircraft in one place before flight. Past flight logs can be viewed on the logbook screen, and details such as in-flight errors can also be reviewed.
Related Services
"Airpeak Plus," a cloud service that allows users to use the rich features of Airpeak Base, and "Airpeak Protect Plan," a service plan to cover accidental damage to the product, will be available to customers. Further details regarding both services will be available on the Airpeak website before the related products and services go on sale.
Pricing and Availability
The new Airpeak S1 suggested retail price is approximately $9,000.00 and will ship with two (2) pairs of propellers, a remote controller, two (2) batteries and a battery charger. A third-party gimbal made specifically for the Airpeak S1 will be sold separately. The Airpeak S1 will be available for pre-order and ship to customers in the fall of 2021. Airpeak S1 is made in Japan.
For more information, please visit: https://electronics.sony.com/airpeak
Sony Group will be exhibiting Airpeak S1 at Japan Drone 2021, a drone exhibition to be held at Makuhari Messe in Chiba, Japan from June 14-16, 2021. In addition, Izumi Kawanishi, Senior Vice President, AI Robotics Business, Sony Group Corp. will provide the keynote speech in the morning of June 14, 2021.
https://ssl.japan-drone.com/en_la/
With this Airpeak news, Sony Group Corporation expands the possibilities for professional creators, enables unprecedented visual expression and drives a sense of Kando. In addition to empowering video creators, Sony will promote co-creation activities for industry professionalsviii in a wide range of fields such as system integrators and industrial partners to explore the benefits of drones uses.
Exclusive stories and exciting new content shot with the new Airpeak S1 and Sony's other imaging products can be found at www.alphauniverse.com and www.sonycine.com, sites created to educate and inspire fans and customers of Sony α - Alpha brand and Sony's Cinema Line.
Airpeak is a trademark of Sony Group Corporation.”
Pelican 1400 Protector Case - A Customizable Waterproof Case for DJI Mavic Series Drones
A review of the Pelican 1400 Protector Case, which is a waterproof hard case perfectly sized for the DJI Mavic series of drones.
I wanted to see if the Pelican 1400 Case was really waterproof, so naturally I threw it in the lake.
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DJI’s Mavic series of drones feature foldable arms and propellers that allow the drones to fit into small spaces when traveling. When you’re ready to fly the drone you can unfold the arms and extend the propellers in a matter of seconds, and off to new heights you go.
(The Mavic series of drones include recent products where DJI has dropped the word “Mavic” from the title, like the DJI Air 2S and the DJI Mini 2)
When you buy a Mavic 2 Pro, Mavic 2 Zoom, Mavic Air 2, DJI Air 2S, or DJI Mini 2, the basic drone packages don’t come with a case or a bag. DJI offers “Fly More” combo packages for Mavic series drones that typically include a soft bag (among other accessories), or you can buy a soft bag separately without the “Fly More” package.
DJI also sells a Mavic 2 Series Protector Case and a Mavic Air Series Protector Case for around $169, which are waterproof hard cases custom designed fit to both of those sizes of drone with their accessories.
I recently bought the DJI Air 2S and wanted a waterproof hard case. The DJI Protector cases are probably very nice with the custom fit foam, but I have used Pelican cases before and wanted to see if they had something similar, smaller, and/or cheaper.
After comparing some of the various Pelican cases available, I found the Pelican 1400 Protector Case would probably be the perfect size for DJI’s Mavic series drones. It is slightly smaller than the DJI Protector cases, and at around $94 is a lot cheaper.
The Pelican 1400 Protector Case allows you to customize the shape of the interior space by removing rows of squares with what they call “Pick N Pluck” foam. (Pick N Pluck is a trademark of Pelican Products, Inc.)
Obviously the included foam is not custom fit at the factory for the drone and the accessories like the DJI cases would be, but you can simply remove 1/2 inch foam squares as needed to fit whatever drone or gear you want to store in the case and it will accommodate just about any configuration you can imagine. As you can see in the image above the DJI Air 2S fit in the case nicely along with my phone (in case I want my phone in a buoyant dry box), a couple extra batteries, the remote, a box of DJI ND filters, and some extra propellers. The Mavic 2 Pro is only 1.34 inches longer than the Air 2S so if I wanted to use this case with that size of drone I could just remove another couple rows of foam squares to the left of the drone. As you can see there is a bit of extra space in my DJI Air 2S configuration.
The Pelican 1400 Protector Case is similar in size to the Phantom 4 Pro’s case but is a lot thinner:
The Pelican 1400 Protector Case on top of the Phantom 4 Pro case. You can see parts of the Phantom 4 Pro case underneath, showing how the Pelican 1400 case is slightly smaller.
A side view showing how the Pelican 1400 Protector Case is a lot thinner than the Phantom 4 Pro case.
The most important qualification for a suitable compact drone case is… can it fit on the back of a kayak? I am pleased to say the Pelican 1400 meets that important criteria.
The most important criteria for a compact drone case is: can it fit on the back of a kayak? The Pelican 1400 Protector Case passes this test with flying colors.
Of course if you’re kayaking with a drone in a case, it’s extremely important for the case to be watertight. Fortunately, the Pelican 1400 Protector Case is waterproof and can stay afloat while holding around 20 lbs of gear (the Mavic drones are generally around 2lbs or less).
The splash pattern created by the Pelican 1400 Protector case indicates that it is fun to throw stuff in lakes.
Overall I am happy with the size, price, and quality of the case. If I ever want to reconfigure the case for a different drone, I could order replacement foam for a fraction of the cost of a whole new case.
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Products Mentioned in this Article on Amazon
DJI Air 2S Review: Has DJI Finally Created a Superior Successor to the Phantom 4 Pro??
DJI has released the “DJI Air 2S” as the latest drone in the Mavic series. It has the same size sensor and photo resolution as the Mavic 2 Pro and the Phantom 4 Pro with 4K video @ 60fps or 5.4K video @ 30fps. Has DJI finally released a travel-sized drone that can replace my 4-year-old Phantom 4 Pro???
Testing the image quality of the DJI Air 2S vs. the trusty old Phantom 4 Pro. Will the latest Mavic be my new go-to compact travel drone? Or should I clean the bug guts off the Phantom 4 Pro and keep using it for another year?
I have had a Phantom 4 Pro since February of 2017. It has been my go-to drone for real estate photography and video for a few years. But at some point I can’t help but wonder, “How long do these things last? Is DJI going to release a superior compact travel drone for me to upgrade to someday? Should I just fly this Phantom 4 Pro for years until a motor fails and it crashes in a field?”
Back when the Mavic 2 Pro came out in 2018 many people thought of that drone as the successor to the Phantom 4 Pro, but the Mavic 2 Pro could only do video at 4K @ 30fps, whereas the Phantom 4 Pro could do 4K @ 60fps. So the Mavic 2 Pro failed to be a totally superior successor, though it has been a popular model.
When the DJI Mavic Air 2 came out in 2020 with a 48-megapixel camera (better thought of as a 12MP quad bayer sensor) that could shoot 4K @ 60fps I had high hopes about that being my new compact travel drone, but knowing it had a smaller sensor than the Phantom 4 Pro I had my suspicions. Once I got ahold of one I pitted the Mavic Air 2 against the Phantom 4 Pro in a series of photo quality tests, and I generally preferred the image quality of the Phantom 4 Pro’s camera over the Mavic Air 2. So the Mavic Air 2 didn’t end up replacing my trusty old Phantom 4 Pro.
Now in April 2021 DJI has released the “DJI Air 2S” as the latest drone in the Mavic series. It has the same size sensor and photo resolution as the Mavic 2 Pro and the Phantom 4 Pro with 4K video @ 60fps or 5.4K video @ 30fps. Has DJI finally released a travel-sized drone that can replace my 4-year-old Phantom 4 Pro???
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Shortly after my DJI Air 2S arrived I took it along with my Phantom 4 Pro (P4P) to a couple locations to test out the cameras, because I enjoy meticulously analyzing photo quality (i.e. I’m a dork). The first location was a park. Here are some unedited photos looking straight down at about 393 feet AGL:
The first thing you may notice in the two photos above is that the DJI Air 2S appears to be zoomed out more than the Phantom 4 Pro, even though they are about the same altitude. This is expected because DJI lists the Air 2S as having a 22mm full-frame equivalent focal length, and lists the Phantom 4 Pro as having a 24mm full-frame equivalent focal length. The Mavic 2 Pro has a 28mm focal length. Obviously one focal length is not better than the other, it just depends on the situation.
The other thing I noticed but was NOT expecting is that with these unedited DNG(RAW) photos the Air 2S has better color and contrast than the Phantom 4 Pro right out of the camera. Chalk that up as a win for the DJI Air 2S!
Now let’s see if we can see a difference in sharpness when we zoom in on these photos.
When looking at these crops keep in mind that the DJI Air 2S camera and the Phantom 4 Pro are both about the same distance from the subject (the ground at the park park), but the Phantom is “zoomed in” to 24mm while the Air 2S is “zoomed out” to 22mm. This should be an advantage for the Phantom 4 Pro when comparing crops of the same sized area of the park. If you have two cameras with equal lens sharpness and sensor resolution both the same distance from the subject, but one is at 22mm and the other at 24mm, the camera at 24mm should capture more detail of the subject since it is zoomed in farther.
In the extreme crops of the lower left, middle, and lower right areas of the park photos, the DJI Air 2S crops are 513 x 341 and the Phantom 4 Pro crops are around 570 x 380 (one of them is 576 x 384) due to the variance in focal length between the two drones. If both cameras/lenses were equally sharp the Phantom 4 Pro should have no problem winning, because it is zoomed in farther and has about 23% more pixels covering each cropped comparison area.
With that in mind, can the Air 2S can still win?
Before we jump in I would just like to say it’s obvious that either drone can produce great photos for a variety of professional purposes and I am cropping these more than anyone should ever need to crop them for a real project. We are just going to be looking at the fine details with extreme closeups to see if there’s a noticeable difference.
Here is the first crop from the lower left corner of the main park images:
Surprisingly, despite the Air 2S crop being only (513x341) vs. the P4P crop being (576x384), there is actually more definition in the Air 2S crop. The branches over the white table are sharper and more defined and you can see the brick lines better.
Let’s take a look at an extreme closeup near the middle of the full images:
In this close up of the middle of the photos it’s hard to say which crop has more detail, which in itself is a win for the DJI Air 2S since it’s accomplishing a similar amount of detail with fewer pixels in the crop.
Now let’s take a look at another crop from the lower right corner of the full images:
In this crop you can see significant green and magenta fringing around the edges of the white crosswalk paint and along the edges of the cement in the (570x380) P4P crop, and the fringing is almost non-existent in the (513x341) Air 2S crop. You can also see more detail and less color fringing on the yellow/green crosswalk sign with the Air 2S. Adobe Lightroom was applying lens corrections to both images.
Just so I don’t base my entire test around one photo, let’s take a look at some photos in the city!
These photos were both taken from about the same altitude and location (though it looks like I may have been 5 or 10 feet higher with the DJI Air 2S), and you can again see the difference between the focal lengths of 22mm and 24mm. The DJI Air 2S had better color and contrast right out of the camera for the city scene as well:
Now let’s check out an extreme crop of the left side:
The biggest difference in these drones really shows up at the edges of photos, which is where many lenses show their weaknesses. The (513x341) Air 2S crop of the left side is much cleaner, sharper, and more defined than the (570x380) P4P crop. You can compare the building edges & windows in these crops to see how there’s fairly significant green/magenta fringing on the edge of the P4P lens that’s almost non-existent with the Air 2S.
One more crop from the right side:
There isn’t a ton of difference in this crop, but something that I noticed quickly is how it looks like both cameras ran into a bit of a moiré issue with the right side of that building where the lines were close together. I used a radial filter in Adobe Lightroom to correct the moiré, and here’s the updated comparison:
With the moiré not distracting from the side of the building it looks like the window lines where the moiré was are slightly more defined and less noisy in the (513x341) Air 2S crop than the (570x380) P4P crop. There also might be a little more color fringing and noise with the P4P, but other than that there’s not a huge difference.
I wanted to do one more test in a high dynamic range situation after sunset where the foreground was very dark. In order to take photos at the exact same time identical lighting in each shot I just set both drones on a table and took the photos at the exact same time. Here are the original unedited photos taken at ISO 100, f/2.8, 1/25th shutter speed:
Here are the same photos with highlights reduced to -79 and shadows cranked to +95 in Adobe Lightroom:
And here are crops of the center of each photo:
If you compare the lower part of the tree trunk in the middle, the pine branches, and tree leaves, you can see how much sharper the Air 2S is right in the center of this high dynamic range scene.
Conclusion
The only thing I miss while using the included DJI Air 2S remote and the DJI Fly app is the ability to change camera settings with the wheel on the remote. With the remotes included with the Inspire 2 or Phantom 4 Pro you can press the right wheel to cycle through camera settings and then turn the wheel to change a setting in the DJI Go app. With the DJI Air 2S remote you have to tap on the screen and drag the slider to change values like shutter speed, ISO, or white balance.
Other than minor differences in the remote & app, after comparing the photo capability of the DJI Air 2S with my trusty Phantom 4 Pro in a variety of situations it is clear the Air 2S has a much sharper camera/lens combination. The sharper lens combined with the highest video resolution of any compact drone from DJI (i.e. smaller than an Inspire) has made the DJI Air 2S my new favorite travel drone.
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DJI on Amazon
An In-Depth Review of Canon's RF 600mm & 800mm f/11 IS STM Lenses
Canon raised a lot of eyebrows when they announced the extremely affordable RF 600mm & 800mm f/11 IS STM lenses. “An 800mm lens for $899??? But it’s f/11??? What’s going on here??” Canon has so far been unique in this sub-$1,000 venture, especially considering the 800mm lens. What are the real trade offs with these smaller & cheaper f/11 600mm and 800mm lenses?
Canon raised a lot of eyebrows when they announced the extremely affordable RF 600mm & 800mm f/11 IS STM lenses. “An 800mm lens for $899??? But it’s f/11??? What’s going on here??”
Canon has so far been unique in this sub-$1,000 venture, especially considering the 800mm lens. As far as I can tell from looking at the websites of Sony, Nikon, Panasonic, Sigma, Rokinon & Samyang, the only other major camera or lens manufacturer that actively produces an 800mm lens is Nikon, and it costs over $16,000. Canon’s 800mm f/5.6 lens costs around $13,000. So what are the real trade offs with these smaller & cheaper f/11 600mm and 800mm lenses?
I own both the 600mm and 800mm f/11 IS STM lenses and use them both, but this article looks primarily at the 800mm since it lets me test more extreme focal lengths.
This page contains links to products, so if you find this site useful and use a link to make a purchase, I’ll get a small commission. As an Amazon Associate I earn from qualifying purchases. Thanks!
Can They Really Produce Sharp Images?
I wanted to see if these lenses are sharp, and I started with a very controlled environment that you probably wouldn’t be in whether you’re trying to have fun or make money. I mounted the 800mm f/11 on a tripod indoors, attached a wired remote trigger to my Canon EOS R5, and focused on some playing cards that were about 20 feet away. The distance of 20 feet is important, because 19.69ft is actually the minimum focusing distance for the 800mm f/11 (it’s 14.76ft for the 600mm). I got as close to the cards as I could while still being able to focus on the King’s face. I took one shot with the stabilizer on and one shot with the stabilizer off, both using Electronic 1st curtain shutter. The camera settings were ISO 100, 800mm, f/11, 2.5 seconds. Here are the results of those two shots:
When I looked at the first image on my computer screen (when the stabilizer was off) I had absolutely no complaints about image sharpness. In fact, I was impressed. No one should be complaining about the sharpness of this 800mm lens for the price! I can see more detail in the playing cards from 20 feet away that I would typically notice if I was holding the card in my hand.
The image with the stabilizer turned on showed a little bit of blur. I assumed this would happen because I could see it in the camera’s LCD before I took the shot… the image moved around ever so slightly and constantly, and it is clear that stabilizers in an 800mm lens are not designed for long tripod exposures. I have accidentally left the stabilizer on when using a Canon RF 15-35mm wide angle lenses on a tripod and had no detrimental effects on sharpness, but with these super-telephoto lenses the stabilizer is definitely designed for faster shutter speeds during hand-held shooting.
Here are cropped versions of the above photos with the stabilizer on and off:
You can see in the above cropped images that when the stabilizer is off it is sharp enough to see the tiny fibers on the top edge of the card and the texture of the card itself. But when the stabilizer is on, it is slightly blurry.
Call me crazy, but I wanted to see if the image was still sharp if I threw a Canon Extender RF 2x on the 800mm lens. Since I was already stuck at f/11 with the lens, adding a 2x Extender will cause me to be stuck at f/22! I did an 8 second exposure instead of a 2.5 second exposure. I also moved back about 10 feet in order to keep a few different cards in the frame. Here is the shot from about 30 feet away with a 2x Extender, both uncropped and cropped:
Once again I was impressed! Even at when using a 2x Extender to achieve 1600mm, the image was sharper than I expected. From 30 feet away I can see the tiny fibers on the top edge of the cards, the texture of the cards, and the texture of the fake plant leaf behind the cards.
Thumbs up for Canon’s glass quality & sharpness, for both the lens and extender!
How Good are those Stabilizers? Hand-Holding Shots for Stationary Objects
One of the biggest challenges with 600mm or 800mm lenses is camera shake. The tiniest movement or vibration can cause your image to turn out blurry. Even the shutter or mirror in your camera can cause the image to be blurry, which is why I used 1st curtain electronic shutter for the longer tripod shots and electronic shutter mode for shots quicker than 0.5 seconds. Very fast shutter speeds and lens stabilizers can overcome vibration from a camera’s mirror or shutter, but since I am trying to specifically test the stabilizers in these lenses at different shutter speeds I wanted to eliminate that potential cause of vibrations.
When you are hand-holding such a long lens for the first time, you might be surprised how hard it is to keep it still! The longer the lens, the more the subject will appear to be jumping around. This is why there is a “rule” about keeping your shutter speed about twice as fast as your focal length when you are shooting with your camera in your hands rather than a tripod. For example, if your lens is 50mm you’d want to use shutter speeds at least as fast as 1/100th of a second. If your lens is 15mm, you should only need a shutter speed of 1/30th sec. Does this rule still apply at 800mm? Let’s find out!
For the next test I found a couple of frogs playing a game, and payed them $20 to sit still for a few minutes (just kidding). I took at least 10 shots at each shutter speed with the stabilizer on and off. I used autofocus to focus on the left frog’s eye before each set of shots. Even though I was stuck at f/11 the background is blurred nicely, due to the fact that I was only about 20 feet away at 800mm. I adjusted exposures to make all the images somewhat similar, because in some shots I had slowed down the shutter speed without being able to change the aperture or lower the ISO further. I also had to move the frogs into the shade once I was testing slower shutter speeds.
For each set of photos, I had the Canon EOS R5 set to continuous shooting with the electronic shutter, which means it was firing at 20 shots per second. I just held down the shutter button until I got at least 10 photos. One thing to note on these non-stabilized shots is how much the photos jump around between shots, despite the photos only being 1/20th of a second apart! It’s a good indication of how hard it is to hold an 800mm lens steady.
My first test set was shot at 800mm, ISO 1000, f/11, 1/1600th sec, stabilizer off. When I looked at the 1/1600th sec shots with no stabilizer, it looks like the “rule” of using a shutter speed twice as fast as your focal length generally held up. I had 17 photos at this shutter speed and they all looked nice and sharp.
Now let’s see how a 1/800th sec. shutter speed did at 800mm since that “breaks the rule:”
Initially when looking at the 1/800th sec. shots on the computer I thought I “perceived” motion blur, but when I zoomed in I couldn’t necessarily prove it. So it seems like 1/800th of a sec. still produces usable images at 800mm, or have such a minor loss of sharpness that most people wouldn’t notice it.
At shutter speeds of 1/200th and 1/400th of a second it is hard to see the motion blur when looking at the whole images, but most of the images lose sharpness at these slower speeds. Here are four of the images at 1/200th:
Here are a couple crops to show the blur up close. One of these shots at 1/200th is fairly sharp, and the other shows a bit of blur:
At 1/100th of a second I took 13 shots with the stabilizer off, and only 1 lucky photo out of 13 was sharp. Once I got down to 1/50th of a second all 12 images I took had noticeable motion blur, and most of the photos were basically unusable:
To summarize the results of the non-stabilized test shots at 800mm:
1/1600th of a second produced all sharp images
1/800th of a second produced mostly sharp images, maybe a little blur creeping in on some
1/400th of a second produced a little motion blur on most images
1/200th of a second produced more motion blur than 1/400th, but still had a couple usable images
1/100th of a second produced 12 blurry images, but I had 1 lucky sharp one in there.
1/50th of a second produced 100% blurry images
So ultimately, the shutter speed that is double your focal length would be the safe choice if you were only taking one photo of a stationary object with the stabilizer off. If you take 20 shots per second like I did in this test, you could get away with lower shutter speeds than the rule suggests if your subject isn’t moving at all and maybe get a couple lucky sharp ones in there. =)
Now let’s see how far we can push shutter speeds with the stabilizer enabled. I am doing these tests with a Canon EOS R5, which has in-body image stabilization. This means if you were to put the same lens on an EOS R which does not have in-body image stabilization, you might not want to push the shutter speeds as low.
Let’s continue with shutter speeds of 1/50th of a second, but this time with image stabilization enabled:
When looking through these 1/50th sec. shots on my computer the one that had the most blur was the first image, captured right after I pushed the shutter button. I could have had a steadier first image if I had used the camera’s 2 second timer, and if I was trying to take a steady single shot that’s definitely what I would do. But generally speaking the stabilizer allowed me to shoot at 1/50th of a second. Also notice how the composition doesn’t jump around much at all! The stabilizer is making up for my slight hand movements that were clearly present in the non-stabilized galleries earlier on. Taking shots with the stabilizer on at 1/100th resulted in all sharp images as well, including the first shot as I was pushing the shutter button.
I ended up taking 12 images in less than a second with a shutter speed of 1/25th, and the photos ranged from being sharp to having a minor amount of blur. Here is a crop of a couple photos at 1/25th from one of the sharper photos and one of the blurriest photos:
So using 1/25th sec. shutter speed for stationary subjects is fair game with this lens, especially when using continuous shooting (aka burst shooting) drive modes and an electronic shutter. As quick as the R5 shoots photos you will probably end up with a couple sharp photos in less than 1 second of shooting.
My test results at 1/13th sec. brings me to the end of our shutter speed stabilization tests, because all of the photos had a little motion blur. The amount of blur was very consistent at 1/13th, and the photos weren’t necessarily unusable but they definitely weren’t perfectly sharp.
To summarize the stabilizer tests with the Canon RF 800mm f/11 IS STM Lens:
Most or all photos will be sharp when shooting at 1/50th of a second or faster when the stabilizer is on and your subject is still (no animals or people)
You can get away with shooting stationary subjects at 1/25th of a second if you are burst/continuous shooting (hit or miss sharpness)
1/13th second exposures and slower will probably have minor motion blur in all images
You would probably never want or need to be at ISO 100 with a 600mm or 800mm lens like I was in these tests, because most subjects you photograph are going to be moving so you’ll want very fast shutter speeds. Even flowers move in the wind. If you are using these lenses you will probably be using higher ISO’s because subjects move across the frame quickly at super-telephoto focal lengths. The stabilizers are great, but they don’t stabilize the motion of your subject… they only reduce the effect of movement created by your hands holding the camera.
One Interesting Scenario where the RF 600mm and RF 800mm f/11 Lenses Differ Significantly vs. the Canon RF 100-500mm f/4.5-7.1L IS USM
One interesting thing I’ve discovered with these lenses is the way they handle bright light sources in low-light scenes. To illustrate the issue, I took the same shot with the Canon RF 800mm f/11 lens and the Canon RF 100-500 f/4.5-7.1L Lens with an RF 2x Extender attached to the 100-500 at a lighthouse at night. Both shots were taken back to back with the same camera with a tripod in the same location with the same white balance settings:
Since the RF 800mm f/11 has no aperture blades it renders the glow from lightbulbs along the catwalk as round circles of light, whereas the RF 100-500 f/4.5-7.1L captures the lights as stars with 18 points since that lens has 9 aperture blades. Canon’s user manual for the RF 600mm & 800mm states:
“ … Color flare might appear around the light source depending on shooting conditions…” and “For scenes where a light source is inside the screen, colored flare may occasionally appear as a halo of light around the light source.”
Most photographers will probably prefer the look of lenses with aperture blades when rendering light bulbs in night scenes over bladeless Diffractive Optics lenses like the RF 600mm and 800mm. But most people will not be using these lenses at night, so that shouldn’t be a deal breaker.
Sample Gallery - Photographing Live Animals at 1600mm
For the live animal sample gallery I wanted to take things to the extreme and see what kind of ISO’s and shutter speeds I would be using if I was hand-holding 1600mm, so I attached the Canon RF 2x Extender to the RF 800mm f/11 and took my Canon EOS R5 camera to the zoo. I found the easiest way to walk around photographing animals was to simply put the ISO on Auto with a range of up to 12,800 and control shutter speed as desired. If the camera got tricked by the lighting situation I adjusted settings as needed. I used Animal Eye Autofocus the whole time, which usually made focusing a breeze.
Here is the sample gallery with settings embedded in the photos. None of these photos are cropped at all:
Since this was my first time walking around shooting live animals handheld at 1600mm & f/22 I was slightly concerned about using ISO’s ranging from 3200 to 12,800. I assumed that the noise would be distracting enough to make the photos unusable, but I was impressed with how well the Canon EOS R5 handled it. I had the noise reduction slider in Adobe Lightroom typically between 25 and 40, and that seemed to be enough to make the noise acceptable at these high ISO’s. The combination of high ISO’s and a little of Adobe’s noise reduction allowed me to maintain fast shutter speeds for motion-stopping photos even if the animal was moving.
Initially I didn’t consider trying to photograph animals if there was a chain link fence between me and the animal, but then I tried with the mountain lion and found that the chainlink fence was so out of focus that it didn’t really show up in the image (though it may have impacted sharpness slightly). I also tried it with the tiger and was again fascinated at how the fence was so out of focus it didn’t appear to block the tiger.
These lenses will be a lot of fun for people who want to get into wildlife photography for less than $900, especially if you have a Canon EOS R5, EOS R6 or newer. I imagine this experiment would have been a little more challenging with the Canon EOS R or RP, as those cameras have older sensors and don’t have Animal Eye AF.
Keep in mind I was photographing animals in broad daylight on a beautiful, sunny day. If it was darker outside I would expect autofocus to be slower and less accurate at f/22, and I would have to make some sacrifices with ISO or shutter speed with increased risk of noise or motion blur. For that reason I would imagine it could be difficult to shoot wildlife in the woods with these lenses, but that is an experiment for another day!
Conclusion
Pros of Canon’s 600mm & 800mm f/11 IS Lenses
Glass is surprisingly sharp considering the price & focal length
Stabilizers allow for hand-held shooting
Extremely affordable
Great for learning the challenges of super-telephoto photography
Lots of fun for bird & wildlife enthusiasts who don’t want to drop $13,000+ on a lens
You can add an RF extender for extreme telephoto focal lengths
Autofocus works great in the bright daylight
Cons of Canon’s 600mm & 800mm f/11 IS Lenses
You’re stuck at f/11 (can’t go lower or higher)
Diffractive optics with no aperture blades means lightbulbs at night could flare and won’t have pointy stars like people may prefer
No lens hood or case included
No rotation collar for using camera in vertical position on a tripod (you’d have to put some type of L-bracket on it)
No weather sealing like the higher-end Canon “L” lenses (don’t use outside if there’s a possibility of precipitation)
Products Mentioned in this Article
Is the DJI Air 2S Fly More Combo a Good Value vs. the Basic Package?
If you are going to purchase the new DJI Air 2S, which is the same size and shape as the Mavic Air 2 but with a camera sensor as big as a Mavic 2 Pro’s, you will probably encounter the “Fly More Combo” option. This expanded set is available on DJI’s website and Amazon.com. I thought I would break down the cost of the accessories included in the combo so others could decide if they need or want to spend the extra money.
See Also: DJI Air 2S Reviewed vs. Phantom 4 Pro
See Also: Pelican 1400 Protector Case - A Customizable Waterproof Case for DJI Mavic Series Drones
If you are going to purchase the new DJI Air 2S, which is the same size and shape as the Mavic Air 2 but with a camera sensor as big as a Mavic 2 Pro’s, you will probably encounter the “Fly More Combo” option. This expanded set is available on DJI’s website and Amazon.com. I thought I would break down the cost of the accessories included in the combo so others could decide if they need or want to spend the extra money.
This page contains links to products, so if you find this site useful and use a link to make a purchase, I’ll get a small commission. As an Amazon Associate I earn from qualifying purchases. Thanks!
So the DJI Air 2S was just released, and it costs $999. Here’s what you get in the box for that price:
What you get in the box when you purchase the basic DJI Air 2S package.
And shown below is what you get if you purchase the DJI Air 2S as part of the “Fly More Combo,” which currently sells for $1,299:
What you get if you purchase the DJI Air 2S “Fly More Combo” package.
Here is a breakdown of the prices of the extra items you get with the Fly More Combo, based on prices on DJI’s website:
2 Extra Batteries = $115 x 2 = $230 value
3 Extra Pairs of Low Noise Propellers = $11 x 3 = $33 value
Battery Charging Hub = $59 value
ND Filters Set (ND4/8/16/32) = $99 value
Battery to Power Bank Adaptor = $19
Shoulder Bag = $89
Total Extra Value Included in the Fly More Combo (based on DJI’s website MSRP values) = $529
So now that we know the value of all the accessories, we have to ask ourselves, “which of these accessories do I actually need to buy if I don’t purchase the Fly More Combo?”
Personally I would want the extra batteries, the extra propellers (eventually), the battery charging hub, and the ND Filters Set.
**SIDE NOTE: The ND Filter Set will be important if you’re shooting video because this drone apparently has a fixed aperture of f/2.8 according to the specs page. The Mavic 2 Pro and Phantom 4 Pro specs pages show an aperture range of f/2.8 to f/11. When you’re shooting video you generally want to have your shutter speed about twice the frame rate to get a cinematic look, and I’ve always been able to use a shutter speed of 1/60 at 30fps with the Phantom 4 Pro just by using an ND4 and adjusting aperture as necessary. Since this aperture is not adjustable, I would probably have to use a darker ND filter in broad daylight.
I can’t imagine myself ever using the Battery to Power Bank Adaptor, and I wouldn’t spend money on the shoulder bag because I already have a larger camera bag and I can just put the DJI Air 2S stuff in there. (I might use the shoulder bag since it’s part of the combo package anyway though)
So the value of the Fly More Combo to me personally would be:
2 Extra Batteries = $115 x 2 = $230 value
3 Extra Pairs of Low Noise Propellers = $11 x 3 = $33 value
Battery Charging Hub = $59 value
ND Filters Set (ND4/8/16/32) = $99 value
Total Extra Value for me personally = $421
Cost Difference Between Basic Package and the Fly More Combo = $300
Savings = $121
If you don’t fly very often and don’t think you’d use the extra batteries then there’s no way the Fly More Combo would be a good value, because you also wouldn’t need the battery charging hub and there goes $289 of value. But if you fly enough to run through a couple batteries in a day and shoot video occasionally, just the batteries, ND filters, and charging hub make it a discounted way to get all the extra stuff you need.
DJI Air 2S on Amazon
DJI Air 2S Fly More Combo on Amazon
DJI Officially Unveils the DJI Air 2S (Previously Known on Rumor Sites as the Mavic Air 2S)
DJI today has officially announced the DJI Air 2S, an updated version of the Mavic Air 2. It is the same compact size as the Mavic Air 2, and is only slightly heavier (595g vs 570g).
I am thrilled to see they upgraded the camera sensor size to 1-inch like the Phantom 4 Pro and the Mavic 2 Pro. It actually shoots higher resolution video than any of their other sub-$2,000 drones, using every pixel of the sensor to shoot 5.4K video! Barring the much larger, heavier, more expensive professional/enterprise drones like the Inspire 2 and Matrice series, this drone looks to be their new flagship (for now).
See Also: Is the DJI Air 2S Fly More Combo a Good Value vs. the Basic Package?
See Also: DJI Air 2S Review: Has DJI Finally Created a Superior Successor to the Phantom 4 Pro??
See Also: Pelican 1400 Protector Case - A Customizable Waterproof Case for DJI Mavic Series Drones
This page contains links to products, so if you find this site useful and use a link to make a purchase, I’ll get a small commission. As an Amazon Associate I earn from qualifying purchases. Enjoy!
DJI has announced the new DJI Air 2S with a 1” Sensor, Capable of shooting 20MP photos and 5.4K video.
DJI today has officially announced the DJI Air 2S, an updated version of the Mavic Air 2. It is the same compact size as the Mavic Air 2, and is only slightly heavier (595g vs 570g).
I am thrilled to see they upgraded the camera sensor size to 1-inch like the Phantom 4 Pro and the Mavic 2 Pro. It actually shoots higher resolution video than any of their other sub-$2,000 drones, using every (horizontal) pixel of the sensor to shoot 5.4K video! Barring the much larger, heavier, more expensive professional/enterprise drones like the Inspire 2 and Matrice series, this drone looks to be their new flagship (for now). Given this development, I’ll be interested to see where they end up going with the Mavic series. Will there be a Mavic 3? Time will tell.
In perusing through the specs page for the DJI Air 2S I noticed they’ve changed the camera lens to a 22mm (full-frame equivalent) with an 88-degree field of view, compared with 24mm/84-degree lens on the Mavic Air 2 & Phantom 4 Pro. The Mavic 2 Pro camera lens is 28mm with a 77-degree field of view.
I am looking forward to comparing the camera on this new drone to my trusty old Phantom 4 Pro, which previously beat the Mavic Air 2 in my image quality battle.
DJI Air 2S on Amazon
DJI Air 2S Fly More Combo on Amazon
From the DJI Press Release: “DJI Air 2S Melds Incredible Image Quality With Unmatched Flight Performance
Added Obstacle Sensors Improve Autonomous Flying, While The 1” Sensor Offers 20-Megapixel Photos and 5.4K Video
DJI, the global leader in civilian drones and creative camera technology, today sets a new benchmark for high-grade flight performance and incredible imagery with the new DJI Air 2S. This portable camera drone is an all-in-one solution, offering robust flight performance, state-of-the-art camera upgrades and high-grade preprogrammed content creation tools.
“Every creator remembers what it felt like to fly a drone for the first time, and they’ll feel the same sense of wonder and possibility when they first experience DJI Air 2S’s unparalleled mix of astonishing flight capability and gripping image quality,” said Ferdinand Wolf, Creative Director, DJI Europe. “DJI Air 2S is a wish list come to life for everyone who demands more from a drone, showcasing upgrades that truly elevate the system into a highly versatile drone. From content creators, to drone enthusiasts and travelers, we are confident that a lot of people will be excited about this drone.”
The DJI Air 2S is the first drone of its size to capture 20-megapixel still images or video in 5.4K with a new one-inch sensor that was previously available only on larger, less agile drones. DJI continues to enable the effortless creation of imaginative content with the new MasterShots feature. This advanced feature uses automatic flight path planning to set the drone’s course while recording video. Upon completion of the flight, DJI Air 2S automatically merges the footage under one theme to create an eye-catching video.
DJI Air 2S’s 31 minutes of maximum flight time and four-way directional obstacle sensors let the pilot focus on the shot while the drone’s safety systems warn when obstacles are getting close. APAS 4.0 is the most advanced autopilot system on any DJI drone and when turned on, seamlessly maneuvers around objects autonomously. O3, DJI’s third iteration of OcuSync, brings the most reliable transmission technology in the drone market to this portable, foldable drone so users know their connection is stable. The upgraded FocusTrack mode includes a suite of programmed modes like Spotlight 2.0, ActiveTrack 4.0 and Point of Interest 3.0 that easily mimic the focus, control and movement of a professional video operator.
An All-In-One Tool for All Your Content Capturing Needs
Expand your creative vision and capture high-grade footage using a new one-inch sensor capable of recording 20-megapixel still images, 5.4K video at 30fps or 4K at 60fps and 150Mbps. The one-inch sensor is larger than the sensor on the original Mavic Air 2 and offers a larger pixel size of 2.4μm, capturing more information and detail for better photos and videos. Get closer to the subject without moving the drone using a new digital zoom that supports 4X zoom at 4K 30fps, 6X at 2.7K 30fps, 4X at 2.7K 60fps, 6X at 1080P 60fps and 8X at 1080P 30fps. DJI’s renowned three-axis mechanical gimbal smooths out footage for professional-level quality and 8 GB of internal storage have been added. Users can choose to record in H264 or H265, depending on their preferences for image detail and storage capacity and can also choose from three video color profiles, Normal (8 bit), D-Log (10 bit) or HLG (10 bit) to match their video needs.
In addition to standard photo options like Timed Photo, AEB and Panoramas, DJI Air 2S’s SmartPhoto mode records 20-megapixel photos using advanced scene analysis and deep learning to automatically choose the best of three options that will create the most visually appealing image for you, including HDR, Hyperlight and Scene Recognition. HDR modes merge several images together for a vibrant scene while Hyperlight is designed for low-light scenarios and Scene Recognition can identify several common settings and apply camera adjustments to capture photos that pop.
Pre-Programmed Modes for Pro-Level Footage
The DJI Air 2S has the most programmed flight modes and image capture modes of any DJI drone of its size. These creative options include:
MasterShots: Professional-level aerial footage has never been easier. After activating MasterShots, the drone will autonomously plan a flight path, choose from three different image capture modes, including Proximity, Portrait or Landscape, and start recording classic aerial footage. Pilots can choose different themes and the DJI Fly app will generate a unique video that’s ready to be shared with the world.
FocusTrack: Focus on the scene and let DJI Air 2S do the hard work for you. Select your subject by drawing a square around it on your mobile device, then choose from Point of Interest 3.0, an autonomous flight path around the subject; ActiveTrack 4.0, a tool that seamlessly tracks the subject and keeps it in the frame; or Spotlight 2.0, where the drone movement is controlled by the pilot while it locks the subject into the frame.
QuickShots: A staple DJI feature, QuickShot modes include Rocket, Circle, Dronie, Helix, Boomerang and Asteroid.
Hyperlapse: See the world sped up from the air and in motion with the Hyperlapse option in resolution up to 4K. Content captured in 4K resolution and lower can apply digital stabilization for an added layer of smoothness.
Safe and Intuitive Flight Operation in an Ultra-Portable Drone
DJI Air 2S uses four high-grade antennas and the latest version of DJI’s proprietary OcuSync transmission tech, O3, to deliver a stable feed at a maximum distance of 12km, even in areas with a high number of signals. A maximum 31 minutes in the air gives pilots more time to capture visually appealing footage while four-way sensors help reduce the risk of collision. The newly upgraded front, rear, bottom and top obstacle sensors incorporate binocular zooming technology to recognize incoming objects from further away at faster speeds.
DJI Air 2S uses the latest and most advanced version of Advanced Pilot Assistance System (APAS) 4.0, which allows the drone to autonomously and seamlessly maneuver around, under and over obstacles. While flying at normal speeds, the newly improved APAS 4.0 offers a wider field-of-view to detect obstacles compared to previous versions. If pilots are flying at higher speeds, as the angle of the drone pitches forward more and the newly added upward obstacle sensor plays a critical part in assisting obstacle detection. As with DJI’s latest drone models, the DJI Air 2S’s AirSense system warns drone pilots of nearby airplanes and helicopters transmitting ADS-B signals, so the drone can be quickly moved to a safer location. Other standard DJI safety features of DJI Air 2S include an improved Return-To-Home (RTH) feature, which can bring a drone back to its launch point if it loses contact with the controller or reaches a critically low battery level, and the GEO 2.0 geofencing system to advise pilots of sensitive locations and help them automatically keep away from high-risk areas such as airports. DJI Air 2S uses the latest version of the DJI Fly app, which features a wealth of educational information and tutorials to get new pilots up in the air quickly.
DJI Care Refresh
DJI Care Refresh is now available for DJI Air 2S, covering various accidents, such as water damage, collisions, flyaway, etc. For an additional charge, DJI Care Refresh offers up to two replacement units within one year, including coverage for one flyaway incident. The two-year plan provides three replacement units in two years, including coverage for up to two flyaway incidents and an extension of the original warranty period by one year (extension durations vary by region). Receive your replacement even sooner with DJI Care Refresh Express. DJI Care Refresh also includes exclusive after-sales support and free two-way shipping.
Price and Availability
DJI Air 2S is available for purchase today from store.dji.com and from authorized retail partners in several configurations. The standard combo retails for $999 and includes the drone, remote controller, one battery and all the cables and parts needed to get into the air. The Fly More Combo retails for $1,299 includes everything from the standard combo with the addition of 2 batteries for a total of 3, ND filters, a charging hub and a shoulder bag.”
Canon Announces Development of the Full-Frame Mirrorless EOS R3
The Canon EOS R3 will join the current lineup of EOS R full-frame mirrorless series cameras. This camera will usher in a new category to the EOS R system, positioned squarely between the EOS R5 and EOS-1D X Mark III cameras. The camera will put great emphasis on superb AF performance and speed, with fast-moving subjects. It is being designed to meet the reliability and durability demands of professionals, even when working in challenging conditions.
From the Canon Press Release: “MELVILLE, NY, April 14, 2021– Canon U.S.A. Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc., is developing a new, high-performance professional camera — the Canon EOS R3*. When it arrives, the EOS R3 will be an outstanding complement to the three new RF lenses the company also introduced today — The Canon RF 100mm F2.8 L Macro IS USM, RF400mm F2.8 L IS USM and RF600mm F4 L IS USM.
“The development of the Canon EOS R3 and the launch of the new RF lenses are the latest testament to the company’s commitment to professional still and video image and content creators,” said Tatsuro “Tony” Kano, executive vice president and general manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “When the camera becomes available, it will pair well with each of the new RF lenses announced today. Canon is excited to share this news today, and we look forward to seeing the images captured with the new RF lenses and upcoming EOS R3.”
Under Development - The Canon EOS R3
The Canon EOS R3 will join the current lineup of EOS R full-frame mirrorless series cameras. This camera will usher in a new category to the EOS R system, positioned squarely between the EOS R5 and EOS-1D X Mark III cameras. The camera will put great emphasis on superb AF performance and speed, with fast-moving subjects. It is being designed to meet the reliability and durability demands of professionals, even when working in challenging conditions.
At the heart of the EOS R3 camera’s performance will be an EOS camera first, a Canon-developed, full-frame stacked CMOS sensor with a back-illuminated design, providing substantially faster read-out speeds during still-imaging recording. This completely new sensor is designed to produce less “rolling shutter” distortion during Electronic Shutter operation and offer continuous Electronic Shutter still-image shooting at speeds up to 30 fps — with full Dual Pixel CMOS AF and auto exposure1.
The AF system will leverage technology and performance from the well-received EOS R5 and EOS R6 cameras, using Deep Learning technology to further enhance eye and body detection for even better performance during portrait and action-type shooting. In addition, the EOS R3’s subject detection AF will offer new recognizable subjects for its AF system, bolstering its focusing capabilities during challenging shooting conditions.
The Electronic Viewfinder of the EOS R3 will offer photographers the ability to select the initial area for AF tracking by simply looking directly at the viewfinder location where they want to begin AF. With Eye Control AF2 and Servo AF activated, the camera will focus on and track moving subjects at that location in the frame. When Face Detect + Tracking is active, the camera will continue to follow moving subjects around the entire active AF area.
The camera body will be entirely new and accentuates the camera’s high-performance design. It’s a one-piece design, integrating the body with a vertical grip section. The weather and dust-resistance will be equivalent to that of EOS-1D class cameras — an essential consideration for nature, wildlife, sports and photojournalism content creators working in extreme conditions. In addition, news photojournalists will be excited to add the Mobile File Transmitter application for iOS and Android devices that will be available.
Full details of all the EOS R3’s features and specifications will be provided at the time of its formal announcement*. To follow along for more news on the Canon EOS R3 camera, please visit: www.usa.canon.com/eosr3.”
How to Take the Free FAA Part 107 Recurrent Exam Released in April 2021
After a few minor delays, the FAA Part 107 free online recurrent exam is now available. It includes a few questions about new regulations for possibilities like Remote ID, flying over people, and flying at night.
I originally got my FAA Remote Pilot Certificate in 2017, and took the recurrent exam in 2019. Both of those tests cost around $150 and had to be done at an FAA-authorized testing center. Fortunately for us drone pilots the new recurrent training & testing is all free, and can be done from the comfort of home!
After a few minor delays, the FAA Part 107 free online recurrent exam is now available. It includes a few questions about new regulations for possibilities like Remote ID, flying over people, and flying at night.
I originally got my FAA Remote Pilot Certificate in 2017, and took the recurrent exam in 2019. Both of those tests cost around $150 and had to be done at an FAA-authorized testing center. Fortunately for us drone pilots the new recurrent training & testing is all free, and can be done from the comfort of home!
I found the new exam, which is referred to as “ALC-677 - Part 107 Small UAS Recurrent Non-Part 61 Pilots,” to be much easier than the initial Part 107 Remote Pilot exam or the previous $150 recurrent exam. It is now basically an online training course with little quizzes during the training and an exam at the end. It’s all open book, so you can refer to your notes or other FAA resources.
In order to take this new recurrent training course & exam in April 2021 you will have to create an account on faasafety.gov.
If you’ve already completed the initial FAA Remote Pilot Exam you can say “Yes” to the Airman Certificate question, and you’ll be asked to enter your certificate number shortly after.
Once you verify your email and get logged into the website, you can navigate to the “ALC-677 - Part 107 Small UAS Recurrent Non-Part 61 Pilots” course by using the tab at the top labeled “Activities, Courses, Seminars & Webinars” and clicking on “Courses.” On the “Courses” screen, click the button labeled “View All Available Courses.” From there you can scroll down to “ALC-677 - Part 107 Small UAS Recurrent Non-Part 61 Pilots.”
Once you begin the course, it will show up under “In-Progress” courses. Once you complete the entire training course and the exam, it will be listed under “Completed Courses.”
The exam is EXTREMELY relevant to the training course, so taking notes might be a great idea. The only exam questions I found a little tricky was the various regulations for 4 categories of sUAS that might be used for flying over people.
And that’s about all for that… happy flying!
Nikon Announces Development of the Nikon Z 9
Nikon Inc. is pleased to announce the development of the first flagship model for which the Nikon Z mount has been adopted: The Nikon Z 9. The full-frame (Nikon FX-format) mirrorless camera is scheduled for release in 2021, and represents a significant leap in technology and performance.
From the Nikon Press Release: “Nikon Inc. is pleased to announce the development of the first flagship model for which the Nikon Z mount has been adopted: The Nikon Z 9. The full-frame (Nikon FX-format) mirrorless camera is scheduled for release in 2021, and represents a significant leap in technology and performance.
The Z 9 brings together Nikon's groundbreaking technologies to deliver the best still and video performance in Nikon history, meeting the advanced needs of professionals in a wide range of genres. It utilizes a newly developed FX-format stacked CMOS sensor and new image-processing engine. In response to the growing needs of professionals, advanced enthusiasts and cinematographers, it includes support for 8K video recording as well as various other video specifications that fulfill diverse needs and workflows. The Z 9 embodies ultimate usability as a tool, offering users an unprecedented imaging experience from capture to workflow exceeding that of previous digital-SLR and mirrorless cameras.
Information regarding the release of this product will be announced at a later date.”
DJI Releases the New "DJI FPV" - A First-Person View Drone Capable of 87 mph Flight
DJI, the global leader in civilian drones and creative camera technology, today launched an entirely new type of drone with an intuitive, immersive flight experience never available until now.
This page contains links to products, so if you find this site useful and use a link to make a purchase, I’ll get a small commission. As an Amazon Associate I earn from qualifying purchases. Thanks!
From the DJI Press Release:
“DJI, the global leader in civilian drones and creative camera technology, today launched an entirely new type of drone with an intuitive, immersive flight experience never available until now. DJI FPV combines the first-person view and high-speed performance of racing drones, the cinematic camera sweep of traditional drones, the safety and transmission technology of DJI’s leading consumer drones, and an optional innovative single-handed motion controller that allows pilots to control the drone with just hand movements. DJI FPV creates a new drone category, and opens up new worlds of possibilities for content creators and drone fans from beginners to experts alike.
“DJI has been redefining what drones can do since our company began in 2006, and as we celebrate our 15-year anniversary this year, we honor that heritage of innovation by redefining what drone flight can be with DJI FPV,” said Ferdinand Wolf, Creative Director, DJI Europe. “Right out of the box, DJI FPV combines the best available technology for a hybrid drone like no other. It can fly like a racer, hover like a traditional drone, accelerate like a homebuilt project and stop faster than any of them. DJI FPV lets the world experience the absolute thrill of immersive drone flight without being intimidated by the technology or spending hours building a system from scratch. We can’t wait for the world to try it.”
The DJI FPV ecosystem includes the drone, goggles, a dedicated remote controller, and a new intuitive motion controller option that steers the drone based on the movement of your hand. The drone features high-performance motors for incredible speeds, an intuitive user interface and the latest safety features for greater control. The new FPV system lets pilots see from the drone’s perspective in low-latency high definition thanks to O3, the third iteration of DJI’s proprietary OcuSync technology. Its unmatched reliability and transmission range help pilots capture ultra-smooth and stable 4K video at 60 fps with the assistance of RockSteady electronic image stabilization.
Amateur and professional pilots alike can explore the skies with confidence with the assistance of three distinct flight modes designed for all skill levels and to get pilots accustomed to the system. DJI FPV’s advanced safety features include a new Emergency Brake and Hover feature to help make flying safer and less intimidating for new users, as well as DJI’s suite of industry-leading safety solutions, including GPS-based geofencing to advise pilots of airspace restrictions and potential hazards, and an ADS-B receiver system to warn pilots when other manned aircraft are nearby. In many jurisdictions, drone pilots flying with FPV goggles must be accompanied by a visual observer to watch for airspace hazards. Always fly safely and responsibly, and be sure to understand and follow the legal requirements for flight.
A Flight Experience For Every Skill Level
DJI FPV is the first integrated FPV drone that allows pilots from beginners to professionals to choose from multiple flight modes to match their skill level:
Normal (N) Mode: During N mode operation, DJI FPV operates similar to other DJI drones, hovering in place with the use of GPS and/or visual positioning systems (VPS) on the bottom of the drone. The most approachable flight mode, N mode allows for obstacle detection sensors on the front to be activated to warn when obstacles are near and slow down. Pilots are tasked with maneuvering the drone away from any detected obstacles.
Manual (M) Mode: Take full control over the drone with M mode which is designed for more experienced users. While in M mode, all sensors and hovering features are disabled.
Sport (S) Mode: A new hybrid blend of M and N mode, S mode offers some of the dynamic movement capabilities that come with M mode along with some of the key safety features of N mode. S mode is the middle step between the three modes and developed to give pilots more room to explore their skills as they get accustomed to FPV flight.
While in the air, pilots can also use a suite of safety features that make flying not only a memorable experience, but a safe one as well. A dedicated Emergency Brake and Hover feature is available in all flying modes to make the drone stop and hover in place at any time during flight. Obstacle detection sensors can be activated while operating in N mode, which will alert pilots of any detected obstacles and automatically slow down the aircraft. Visual Positioning Sensors (VPS), along with an auxiliary light on the bottom of the aircraft are also available to assist in smooth takeoffs and landings. Failsafe Return to Home is another important feature that will bring the drone back to its home point automatically with a press of a button or in the event that transmission signal is lost. The ADS-B receiver system provides audio and visual notifications to the pilot via the FPV Goggles when traditional aircraft such as airplanes or helicopters equipped with ADS-B transmitters are in the vicinity.
Immerse Yourself In The Experience of Flying
DJI FPV lets you see the world in a new way using the absolute latest in HD transmission technology. Pilots can see a crystal-clear, long-range, low-latency feed from the DJI FPV aircraft while wearing the DJI FPV Goggles V2. State-of-the-art racing motors offer high-speed action during flights, and the O3 transmission system offers unmatched reliability. The new motors bring a heart-racing experience to the system with a max speed of 140 kph (87 mph) and a max acceleration of 0-100 kph (0-62 mph) in just two seconds. O3 transmission is the next step in FPV transmission technology. It offers a 10km transmission range, auto-switching dual-frequencies, a high bitrate of 50 Mpbs, and state-of-the-art anti-interference methods to ensure a reliable feed. Announced in 2019, the DJI HD transmission system brought the world’s first low-latency, HD digital feed to the market. The new DJI FPV system uses that same technology to bring a crystal-clear image to the goggles with ultra-low latency. Pilots can choose from several different viewing options, including:
High-Quality mode: See the world in 1440x810p in either 60 fps with a wider 142° Field of View (FOV), or 50 fps with 150° FOV. In this mode, latency is as low as ≤ 40 ms.
Low-Latency mode: In this mode, pilots activate high frame rates for a more cinematic look to signal latency is decreased to ≤ 28 ms. Resolution is 1440×810p 120 fps with a 142° FOV or 100 fps at 150° FOV.
Audience mode: Share the pilot’s perspective in audience mode, which connects up to eight additional goggle sets to the pilot’s view so even onlookers can experience the flight.
Incredible Flight Performance, Breathtaking Footage
Not only does DJI FPV offer incredible flight performance, it can also capture dynamic, cinematic footage you’ll want to share with the world. The integrated 4K/60fps 120 Mbps camera is on a single-axis gimbal, providing stability during intricate maneuvers while rotating vertically for unique angles. Additionally, RockSteady stabilization technology smooths shaky footage and eliminates the rolling shutter effect when filming fast-moving scenes. Advanced distortion correction software can remove the warped and unappealing fish-eye look common in FPV footage. Pilots can record footage in 4x Slow Motion in 1080p and 120 fps to relive epic moments in every detail. Footage can now be stored in H.265 or H.264 which uses less space on the memory card but preserves fine details during compression.
Price and Availability
DJI FPV is available for purchase today from store.dji.com and from authorized retail partners. DJI FPV can be purchased in several options. The standard DJI FPV Combo includes the FPV drone, remote controller 2, FPV Goggles V2, all required cables and one battery for the retail price of $1,299. The DJI FPV Fly More Kit is also available, which includes two additional Intelligent Flight Batteries and the dedicated charging hub for the retail price of $299. The optional Motion Controller is sold separately and can be purchased for the price of $199.”
DJI FPV on Amazon
How to Make a 360 Walk Through Tour for Real Estate: The Easy Way
If you are in the business of real estate photography, it won’t be very long before someone asks you to do a 360 tour for a listing. You should be prepared to offer the service, and understand how the photoshoot and hosting processes work ahead of time. It would probably a good idea to have a pricing structure in mind as well! This article takes a look at the steps involved in creating a 360 real estate tour (a.k.a. a virtual tour) without spending a fortune.
If you are in the business of real estate photography, it won’t be very long before someone asks you to do a 360 tour for a listing. You should be prepared to offer the service and understand how the photoshoot and hosting processes work ahead of time. It would probably a good idea to have a pricing structure in mind as well! This article takes a look at the steps involved in creating a 360 real estate tour (a.k.a. a virtual tour) without spending a fortune.
This page contains links to products, so if you find this site useful and use a link to make a purchase, I’ll get a small commission. As an Amazon Associate I earn from qualifying purchases. Thanks!
There are two ways to create a 360 walkthrough: the “easy way” and the “hard way.” The “easy way” involves using a 360-capable camera with two 180-degree lenses on opposing sides to take a one-shot 360 photo, and then uploading those photos to a 360 tour host. The “hard way” involves using a full-frame or APS-C camera, a fisheye lens, some type of pano head, taking four photos at 90-degree rotation intervals, stitching those photos together on the computer, and then uploading the stitched photos to a 360 tour host. My meticulous nature causes me to enjoy the complicated way due to the higher quality final product produced, but most people do the easy way for real estate listings. This article takes a look at the equipment and steps involved for the “easy way,” and maybe I’ll do a “hard way” article at a later date.
Step 1: Chose a 360 Host Based on your Client’s Needs
CloudPano
cloudpano.com (prices below are as of February 2021)
Unlimited number of active, viewable, shareable 360 tours
Tours can be hosted indefinitely with no expiration (lifetime tours)
You can pay $10 per tour with no monthly or recurring fees - tour never expires
You can upload an unlimited number of tours if you pay $396/year or $49/month
Lifetime unlimited tours available for a one time payment (see website for current pricing)
Quicker photoshoots with fewer 360 scenes necessary - choose only the scenes you want
Optionally works with floorplans
Can add info buttons
Music and ambient noise available with “Pro Plus” plans
Can use any 2x1 ratio 360 spherical panoramic images produced by any camera
No 3D “dollhouse” view like Matterport
Less fancy and flashy than Matterport
Matterport
matterport.com (prices are as of February 2021)
Highest quality and most elaborate 360 tour host
Features the 3D “Dollhouse” view
More expensive
Limited number of active tours can be “live” at one time
Not good for clients who want a permanently hosted 360 tour (unless the client makes their own account, hosts it there, and pays the recurring fees)
Does NOT work with GoPro Max, DSLR, or mirrorless cameras
“Starter” plan allows 5 total active spaces (360 tours) at a time for $9.99/month
“Professional” plan allows 25 total active spaces for $69/month
Scenes must be shot 5 to 8 feet apart - photoshoots will take much longer on location due to much higher number of scenes required
CloudPano is great if you only do 360 tours once in a while, since you can pay $10 for a permanently-hosted tour with no recurring fees. If you occasionally have clients request the tour to be hosted permanently, you won’t be worried about the tours expiring or counting against a limit. I also like to use a full-frame camera and put a bit of effort into editing the 360 panoramas with Adobe Lightroom, which CloudPano allows me to do. Matterport would be good for someone in the real estate industry who regularly does multiple walk throughs per year that are hosted temporarily… e.g. houses that are listed for sale. Matterport is also much “flashier” and can impress potential clients who haven’t experienced it more so than CloudPano.
You could even use both services as necessary! For example, use Matterport for your real estate listings and CloudPano for clients who want a tour hosted for long-term marketing.
CloudPano example:
The other nice thing about CloudPano is you can just take one scene in the middle of each room, and/or any other angle you want to capture. There’s not really a minimum, but it’s probably a good idea to have line-of-sight between the scenes for a more enjoyable tour. Matterport and some other hosts with a more automated uploading process require you to specifically adhere to a certain scene capturing process and capture a 360 scene every several feet, since they are creating a more complex and functional model.
There are quite a few 360 tour hosts available, but I haven’t found one that I would necessarily recommend over CloudPano or Matterport for the various purposes of real estate photographers.
Step 2: Choose a 360 Camera
Choosing a Camera that works with both CloudPano and Matterport
The following cameras will work with both CloudPano and Matterport:
Ricoh Theta Z1 (Highest resolution photos at 6720 x 3360, big sensors, but more expensive)
Ricoh Theta V (5376 x 2688 photos)
Insta360 One X (the new Insta 360 One X2 is working in Matterport beta software and will likely be officially supported soon)
Insta360 One R with Dual Lens 360 Module (All the Insta360 cameras listed here have 6080 x 3040 photo resolution)
CloudPano Only Cameras
CloudPano can accept any 2x1 ratio 360 spherical panorama, so you can use any 360 camera.
The GoPro Max (5760 x 2880 photo resolution) will work with CloudPano, but NOT Matterport. Also you will probably need an optional tripod mount adapter with the GoPro.
Step 3: Creating 360 Images in a House or Building
Steps for CloudPano Tours
You will want to mount your 360 Camera on a lighting stand or tripod so you can hide when the photo is being taken. The best tripod for a 360 camera would actually be a monopod with feet, which will minimize the visibility of the camera support. But be careful not to knock it over!
Most 360 cameras offer wireless shooting with a smartphone app, so you can hide around a corner and trigger the panoramic photo with your phone or tablet. Position the camera about 4.5 feet off the ground, which should be high enough to see over countertops.
I like to capture scenes in the middle of rooms, with maybe a couple different spots in kitchens. If you charge based on how many scenes you take, make sure you discuss how many scenes are needed with your clients. Some clients might only want 1 scene per room, but some might want 2 or more depending on the size of each room. Make sure you capture enough scenes to have line-of-sight access to other scenes, to make the viewer feel like they are able to walk around to the various spaces.
CloudPano has free video training on creating virtual tours here.
They also have other “getting started” resources here.
When you look at the spherical panoramic images that come out of your 360 camera, they typically will look like this:
This is what a static 360 spherical panoramic image looks like as a normal JPG file. It is 2x1 ratio file that is designed to be used in a 360 tour host. Notice how everything at the top and bottom are stretched out, and things in the middle look normal. I often will put the client’s logo at the bottom to cover up the tripod, as I did with this one. Click on the image to see the tour in action.
The images produced by a 360 camera will be a 2x1 ratio JPG image where everything in the middle will look fairly normal, and as you get closer to the top and bottom everything will be more and more stretched out. It looks a bit odd as a 2D static image, but when you get it into a 360 tour host it will allow you to look around in all directions.
Steps for Creating Matterport Tours
When you are on site capturing images for a Matterport tour, keep in mind that you have to capture a scene every 5 to 8 feet in order for the model to be generated correctly.
Since their workflow needs to be done very specifically for everything to work properly, I’ll just refer you to their website!
Getting Started with Matterport
Matterport does have much more expensive camera options if you get REALLY serious about offering that service.
Try Things Out Before Taking a Paying Job
Both Matterport and CloudPano allow you to try out their systems for free, so you might want to do some testing before telling potential clients what you offer. By going through the process of capturing scenes and uploading to the systems you will have a better idea of what each process entails, and you will be less likely to make a mistake at your first paying job!
Hopefully that gives you an idea of how to go about creating 360 tours. If you find this page helpful and use a link to purchase a product, I’ll get a small commission. Thanks!
Sony Announces the Full-Frame Mirrorless Alpha 1 Camera
Sony Electronics, a global leader in imaging sensor technology and digital imaging, has announced the arrival of the groundbreaking new full-frame mirrorless Alpha 1 camera – asserting their commitment to leading the industry with a stunning combination of innovative new features.
The most technologically advanced, innovative camera that Sony has ever released, the Alpha 1 combines high-resolution and high-speed performance at a level that has never been accomplished in the world of digital cameras. With a brand new 50.1-megapixel full-frame stacked Exmor RS™ image sensor, up to 120 AF/AE calculations per second, 8K 30p 10-bit 4:2:0 video and much more, the Alpha 1 will allow creators to capture what they've never been able to before.
Sony announces the new Alpha 1 Full-Frame Mirrorless Camera
From the Sony Press Release:
“Sony Electronics, a global leader in imaging sensor technology and digital imaging, has announced the arrival of the groundbreaking new full-frame mirrorless Alpha 1 camera – asserting their commitment to leading the industry with a stunning combination of innovative new features.
The most technologically advanced, innovative camera that Sony has ever released, the Alpha 1 combines high-resolution and high-speed performance at a level that has never been accomplished in the world of digital cameras. With a brand new 50.1-megapixel full-frame stacked Exmor RS™ image sensor, up to 120 AF/AE calculations per second, 8K 30p 10-bit 4:2:0 video and much more, the Alpha 1 will allow creators to capture what they've never been able to before.
"We are always listening to our customers, challenging the industry to bring new innovation to the market that goes far beyond their expectations," said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. "Alpha 1 breaks through all existing boundaries, setting a new bar for what creators can accomplish with a single camera. What excites us the most – more than the extensive product feature – is Alpha 1's ability to capture that which has never been captured before. This camera unlocks a new world of creative possibilities, making the previously impossible now possible."
The newly developed image sensor is built with integral memory and paired with an upgraded BIONZ XR imaging processing engine, making it capable of shooting 50.1-megapixel images continuously at an astounding 30fps with up to 120 AF/AE calculations per second. The Alpha 1's shooting capabilities are further enhanced by a 9.44 million dot OLED Quad-XGA electronic viewfinder, with a refresh rate of up to 240 fps, ensuring no black out. Additionally, for the first time in an Alpha series camera, 8K 30p 10-bit 4:2:0 video is available. The Alpha 1 is also capable of 4K 120p / 60p 10-bit 4:2:2 recording and includes S-Cinetone color. The Alpha 1 is also packed with features that support field professionals with faster workflow, including 3.5 times faster wireless FTP transfer speed and more.
Unprecedented Resolution and Speed
Continuous Shooting at Up to 30 Frames Per Second
The Alpha 1 captures moments that would otherwise be lost thanks to its high-speed performance, providing any photographer the speed they require to capture fast-moving objects. High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to 155 full-frame compressed RAW images or 165 full-frame JPEG images at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance.
At an astonishing calculation speed of up to 120 AF/AE per second, the Alpha 1 can maintain focus with high accuracy even for fast moving subjects. It can automatically adjust exposure, even with sudden changes in brightness, with an AE response latency as low as 0.033 seconds.
Advanced Electronic Viewfinder with the World's Firstiv Refresh Rate of 240 fps
Complimenting the camera's ability to capture images at an unprecedented speed, the Alpha 1 viewfinder features the world's firstiv 240 fps refresh rate, for a super-smooth display. The viewfinder does not black out when an exposure is made to offer an uninterrupted view and allow for seamless framing and tracking, even during continuous shooting. The 9.44 million-dot (approx.), 0.64 type Quad-XGA high-definition OLED display and refined optics deliver the highest resolution in its class. It also offers 0.90X viewfinder magnification, a 41° diagonal FOV, and a 25mm-high eyepoint for clear, low distortion viewing from corner to corner.
Advanced Autofocus
Sony continues to push the boundaries of autofocus technology with the introduction of the Alpha 1, which can easily track complex, fast-moving subjects with high precision. The camera features 759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area – ensuring accuracy and unfailing focus in environments where focusing might otherwise be difficult.
Sony's advanced Real-time Eye AF improves detection performance by 30% over the previous system, thanks to the powerful image processing engine, BIONZ XR. It ensures accurate, reliable detection, even when the subject's face looks away. In addition to improved Real-time Eye AF for humans and animals, the Alpha 1 employs high-level subject recognition technology to provide Real-time Eye AF for birds, a first in an Alpha series camera. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes.
The Alpha 1 also features AI-based Real-time Tracking that automatically maintains accurate focus. A subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed.
Silent, Vibration-free Electronic Shutter
High-speed readout from the new image sensor has made it possible to reduce rolling shutter by up to 1.5 times when shooting stills, compared to the Alpha 9 II. It also offers silent anti-flicker continuous shooting with an electronic shutter for the first time in the world. The electronic shutter operates silently, without mechanical noise, and is vibration-free. Stress-free continuous shooting is now possible even when shooting in challenging lighting situations with florescent or other flicker-prone types of artificial lighting. And for the first time in an Alpha camera, electronic shutter flash sync up to 1/200 sec is possible. The advantages of the electronic shutter advantages can now come to life even when using flash for broadly expanded shooting versatility.
Dual Driven Shutter System for 1/400 Flash Sync
The Alpha 1 boasts the world's fastest flash sync speedv of 1/400 sec. with mechanical shutter, making it even easier to capture dynamic action. In addition to a carbon fiber shutter curtain, the Alpha 1 features the newly developed dual driven shutter system utilizing spring and electromagnetic drive actuator, offering high durability and lightness at the same time.
High Resolution Shooting Enhancements
Even with this sensor's high pixel count, the Alpha 1 offers high sensitivity with low noise, plus 15+ stops of dynamic range for video and 15 stops for stills, for smooth, natural gradations from shadows to highlights thanks to its cutting-edge processing system, throughout a wide ISO sensitivity range of 100-32,000 (expandable to 50-102,400, when shooting stills).
Additionally, the new camera features an evolved Pixel Shift Multi Shooting mode that composites up to 16 full-resolution images. In this mode, the camera precisely shifts the sensor in one pixel or half-pixel increments to capture 16 separate pixel-shifted images containing a total of 796.2 million pixels of data, which are then composited into a 199 million pixel (17,280 x 11,520 pixels) image using Sony's Imaging Edge™ desktop application. With a flash sync of up to 1/200 sec. in this mode, it is ideal for photographing architecture, art or any other still life subject with a level of detail and color accuracy that is simply stunning.
Professional Video Quality
8K High-resolution Movie Shooting
For the first time in an Alpha camera, the Alpha 1 offers 8K 30p 10-bit 4:2:0 XAVC HS recording with 8.6K oversampling for extraordinary resolution. Combined with Sony's acclaimed autofocus technology, gradation and color reproduction performance, the Alpha 1 will help the user realize their creative vision with the finest detail. It's 8K footage can also be used for flexible 4K editing during post-production.
Supporting Various Video Formats for Professionals
The Alpha 1 offers in-camera 4K recording at up to 120 frames per secondviii which allows the user to shoot up to 5X slow-motion video. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.
The Alpha 1 features S-Cinetone, the same color matrix that produces the highly regarded FX9 and FX6 color and skin tones. It delivers natural mid-tones, plus soft colors and gorgeous highlights to meet a growing need for more expressive depth. The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match Alpha 1 footage with video shot on VENICE cinema camera, FX9 and other professional cinema cameras.
Heat-dissipating Structure
A unique heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p video continuously for approximately 30 minutes.
Supporting Hand-held Shooting
A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera's 50.1-megapixel sensor. The Alpha 1 also features an Active Mod that offers outstanding stabilization for handheld movie shooting. When using Sony's desktop applications Catalyst Browse or Catalyst Prepare for post-production, an accurate image stabilization function is available which utilizes metadata generated by camera's built-in gyro.
Other features that the Alpha 1 offers include; 16-bit RAW output to an external recorder via HDMI for maximum post-production flexibility, a digital audio interface has been added to the camera's Multi Interface (MI) Shoe for clearer audio recordings from a compatible Sony external microphone, 5.8Koversampled full pixel readout without pixel binning for high-resolution 4K movies in Super 35mm mode and more.
Enhanced Workflow with Network Technologies including Connectivity to 5G Compatible Devices
The Alpha 1 has been designed and configured to support photo and video journalists and sports shooters who need to deliver stills or movies as quickly as possible with advanced connectivity options. It offers several features for fast, reliable file transfers. Industry's fastestxiii built-in wireless LAN allows communication on 2.4 GHz and 5 GHzxxix bands with dual antennas to ensure reliable communications. 5 GHz includes 2x2 MIMO support (IEEE 802.11a/b/g/n/ac) offering 3.5 times faster wireless FTP transfer speed than the Alpha 9 II - a notable advantage for news and sports shooters who need to deliver with reliable speed. There is also a provided USB Type-C® connector to support fast data transfer when connected to a 5G mmWave compatible device such as Sony's Xperia PRO and makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The Alpha 1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.
In addition to compressed and uncompressed RAW, the Alpha 1 includes efficient lossless compression with no quality degradation, Lossless Compressed RAW. There is also a new "Light" JPEG/HEIF image quality setting that results in smaller files than the "Standard" setting, allowing faster deliver for news and sports photographers who depend on speed. Along with a versatile range of RAW and JPEG formats, the Alpha 1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. Images shot on the Alpha 1 can be trimmed in-camera to a desired aspect ratio, size, or position for versatile usage.
The Alpha 1 is also compatible with a variety of apps, add-ons and tools. With Imaging Edge Mobile and Imaging Edge Desktop, professionals can easily transfer RAW files and files that use lossless compression and remotely control Touch Tracking and Touch Focus for convenient AF operation. The Transfer & Tagging add-on (Ver. 1.3 or later) can automatically covert voice memos attached to image files to text captions or transfer the files to an FTP server from a mobile device. Desktop applications Catalyst Browse/Catalyst Prepare allow professionals to browse and manage video clips shot by Sony's camera. In addition, the Remote Camera Tool can remotely change camera settings and shoot from a computer connected via LAN cable and feature a number of refinements for the Alpha 1: faster transfer, touch response, dual slot and HEIF support, and more.
Reliable and Easy Operability
Professional users need more than just refined features and performance. They also need the reliability and durability demanded of any professional tool. The Alpha 1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. It also features a durable magnesium alloy chassis, long battery life with the Z-battery which can be extended using the optional VG-C4EM Vertical Grip (sold separately), an improved dust removal feature, shutter close function on power-off to protect image sensor, plus dust and moisture resistance that maximizes reliability in challenging environments. It includes a durable, reliable HDMI Type-A connector, and USB PD (Power Delivery) support, allowing higher power to be supplied from an external source so that users can record for extended periods with minimal internal battery usage.
A revised menu structure provides easier navigation, and touch-responsive menu operation offers fast, more intuitive control with Touch Focus and Touch Tracking on its 3.0 type 1.44 million-dot (approx.) LCD monitor. For easy customization, a subset of the camera's shooting settings now changes according to the selected shooting mode, making it easier than ever to use different aperture, shutter speed and other settings for shooting stills and movies.
Pricing and Availability
The Alpha 1 Full-frame Interchangeable-Lens Camera will be available in March 2021 for approximately $6,500 USD and $8,500 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.”
Nikon Unveils the New Z 7II and Z 6II Full-Frame Mirrorless Cameras
Today, Nikon Inc. unveiled the next chapter of the Z series with the arrival of two new full-frame mirrorless cameras that significantly improve upon the previous generation by adding more power, more features and more of what users want. The ultra-high-resolution Z 7II is for those with an eye for impeccable details, offering professionals and advanced photographers a powerful tool to capture immense resolution in every shot. For dynamic creators who need a device as versatile as they are, the Z 6II balances powerful performance and an expert-level multimedia feature set to bring any creative vision to life. Together, the Z 7II and Z 6II, along with new accessories, expand the Z series into a more robust mirrorless platform, incorporating many performance and design upgrades while maintaining the most popular features of their award-winning predecessors.
The chapter of Z is here: Nikon delivers more of everything with the new Z 7II and Z 6II full-frame mirrorless cameras.
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The High-Resolution, High Performance Z 7II and the Versatile, Multimedia Powerhouse Z 6II Offer More Innovation, Power, Speed and Precision to Step into a New Era of Creative Freedom.
Today, Nikon Inc. unveiled the next chapter of the Z series with the arrival of two new full-frame mirrorless cameras that significantly improve upon the previous generation by adding more power, more features and more of what users want. The ultra-high-resolution Z 7II is for those with an eye for impeccable details, offering professionals and advanced photographers a powerful tool to capture immense resolution in every shot. For dynamic creators who need a device as versatile as they are, the Z 6II balances powerful performance and an expert-level multimedia feature set to bring any creative vision to life. Together, the Z 7II and Z 6II, along with new accessories, expand the Z series into a more robust mirrorless platform, incorporating many performance and design upgrades while maintaining the most popular features of their award-winning predecessors.
“As we evolve the Nikon Z series into the future, we continue to strengthen the platform, keeping the needs of our customers at the center of every new innovation and added feature,” said Jay Vannatter, Executive Vice President, Nikon Inc. “These are the cameras that many have been waiting for from Nikon. The new Z 7II and Z 6II demonstrate our commitment to listening to customer feedback, while also establishing the new standard for performance, quality and versatility for every type of creator, photographer or filmmaker.”
The Nikon Z Mount - The Most Light Means the Best Images
The Nikon Z mount is larger than any other full-frame mount, letting in significantly more light for the best possible image quality. The wider mount also allows for radical new concepts in optical design, giving lens designers the flexibility to create NIKKOR Z lenses with more edge-to-edge sharpness than ever thought possible. These new cameras expand the possibilities of the superior Z mount with performance upgrades designed to improve the quality, workflow and shooting experience for Nikon Z series users.
New Features and Upgrades: Customer-Focused Innovation Drives Creativity
Dual EXPEED 6 Processors for Twice the Power: At the heart of the new Z 7II and Z 6II is the implementation of two EXPEED 6 image processors, turbocharging performance to improve processing speed and increasing burst capability for stills -- all while increasing power efficiency.
Enhanced Focus System: With an updated, feature-rich autofocus system, the Z 7II and Z 6II quickly acquire focus and track subjects throughout the frame. For more precise autofocusing, Eye and Face-Detection AF is now available in the Wide-Area AF (L) mode, which works to avoid focusing on distracting elements by isolating selected portions of an image. Additionally, both models have an improved low-light AF detection range that is capable of acquiring subjects in challenging lighting.
Advanced Video Capabilities: Expanding the boundaries of 4K UHD video, the Z 7II and Z 6II enhance video output with an increased frame rate of 4K (UHD) 60p, plus Eye-Detection AF mode when recording video. While currently available in the Z 7II, the 4K 60p option is planned to be available in a free firmware upgrade for the Z 6II in February 2021. As a result of pro user feedback, the models also allow users to reverse the focus ring orientation on the fly, benefitting those who are used to manual focusing using traditional cine lenses on set. For added flexibility in post-production, 10-bit N-Log and HDR (HLG)1 output offers more detail, dynamic range and contrast in captured footage, while the optional 12-bit ProRes RAW upgrade2 delivers greater creative control for professionals and advanced videographers.
Built for Confidence, Built for Creators: The cameras retain robust weather sealing, user-focused ergonomics and an intuitive interface-- distinctions that Nikon users have come to rely on. The new models also offer improvements such as dual memory card slots, with one CFexpress (type B)/XQD slot and one SD card slot (UHS-II), for maximum versatility and peace of mind. Users will also benefit from more power and comfortable vertical shooting with the addition of the optional new MB-N11 battery pack with vertical grip.
Nikon Z 7II: Absolute Immersive Masterpiece
The Z 7II promises high-resolution stills and video for discerning users who need ultimate performance to achieve exceptional image quality in every shot. A powerful upgrade to the Nikon Z 7, the Z 7II is the ideal camera for capturing highly detailed portraits, landscapes, weddings, events, and commercial photography when there is no compromise on image quality.
The Z 7II features a 45.7-megapixel backside-illuminated (BSI) CMOS sensor to help capture intense detail, ultra-shallow depth of field and clarity that overwhelms. The exceptionally clean native ISO range from ISO 64 to 25,600 offers the functional freedom to shoot at wide apertures in bright light or in-studio with minimal noise.
With up to 10 fps maximum shooting speed at full resolution in Continuous H (extended)3, the Z 7II can handle fast burst rates with more than triple (3.3x)4 the buffer capacity of the Z 7 (in 12-bit lossless compressed RAW).
The Z 7II’s 493 on-sensor phase-detect autofocus points cover 90 percent of the frame, quickly and accurately acquiring subjects, even at its far edges. The Z 7II is capable of acquiring focus in half the light (as low as -3 EV5), making it the reliable tool for low-light scenes such as weddings and indoor events.
Nikon Z 6II: True Multimedia Powerhouse
The Z 6II is the most versatile Z series camera yet, balancing speed, power, low-light ability, and advanced video features for dynamic creators who need pro-level performance and reliability.
Building on the vast pro-caliber video capabilities of the Z 6, the Z 6II is capable of recording 4K UHD video quality with full pixel readout, demonstrating the advantages of mirrorless technology. The camera is capable of a variety of frame rates, including 4K UHD 60p6 with full pixel readout, which is planned to be available in February 2021 via a firmware update. It is also capable of 4K 30p, as well as Full HD 120p for slow motion.
Built with videographers in mind, the Z 6II’s AF speed and tracking sensitivity is adjustable to meet creative needs, while the focus ring is also reversible. Useful indicators for focus peaking, zebra stripes and timecodes help capture the best possible footage in-camera and simplify workflow.
For both models, 10-bit output to an external recorder with N-Log is possible as well as the capture of new HDR (HLG) video and output in 12-bit ProRes RAW with the optional upgrade. For upgrade customers, additional support will also be included for Blackmagic RAW when using the Blackmagic Design Video Assist 12G HDR recorder. This upgrade will also be provided for existing customers who have already purchased a ProRes RAW upgrade for the Nikon Z 6 or Z 77.
The Z 6II and Z 7II are the first Nikon cameras to support Eye-Detection AF and Animal-Detection AF with video recording, enabling continuous focus on the eyes of humans, dogs, and cats.
The Z 6II features a 24.5-megapixel BSI CMOS sensor for crisp stills and video capture with impressive detail, ultra-shallow depth of field and impressive low light performance. To confidently shoot in challenging light, the camera has an impressive ISO range from ISO 100–51,200, expandable up to ISO 204,800 equivalent.
Thanks to the addition of dual EXPEED 6 Processors, the Z 6II boasts a fast 14 fps3 continuous shooting speed, providing quick performance for capturing action, with more than 5x the buffer capacity of the Z 64.
The Z 6II’s enhanced AF system features 273 on-sensor phase-detect autofocus points for easy subject acquisition and tracking throughout the frame, including at the edges. Capable of focusing in half the light (down to -4.5 EV5), the Z 6II easily acquires focus in extreme low light scenarios, making it an ideal option for capturing nightscapes and events.
The Nikon Experience: Reliability & Workflow
Both the Z 7II and Z 6II adopt the Z series’ durable Magnesium Alloy build and extensive weather-sealed design for all-around protection in rugged environments. Both models focus on improved workflow with intuitive features and controls that enhance the creative process.
The Z 6II and Z 7II enable convenient iMenu access for autofocus modes such as the new Wide-Area AF (L) mode for people or animals, with built-in Eye and Face-Detect autofocus, allowing users to quickly switch between controls while shooting.
USB power delivery can be enabled while the cameras are in use, drawing power from the USB source first, to preserve camera battery8 or charging while the camera is turned off (when using the EN-EL15b or EN-EL15c battery).
The Z 6II and Z 7II also include in-camera exposure choices for up to 900 seconds for capturing super slow-shutter nighttime cityscapes and astrophotography.
Both the Z 6II and Z 7II are compatible with the Nikon Webcam Utility software beta, ensuring seamless webcam functionality for all occasions. When using this function with a USB-C cable, power can be supplied to the camera to power it while using it as a webcam, making turnkey webcam functionality as easy as plugging in a USB-C cable.
In addition to its seamless file transfer and remote camera control, the Nikon SnapBridge app can be used to streamline the firmware update process by wirelessly sending the latest firmware file directly to the Z 7II or Z 6II for updating, no card reader or computer necessary.
Portions of the information display can be hidden with still-image shooting and video recording, allowing an unobstructed view of the scene.
In-camera vibration reduction (VR) provides camera-shake compensation equivalent to 5-stops9.
A Rapidly Expanding Ecosystem
Nikon is committed to expanding the NIKKOR Z lens lineup to complement the exceptional power of these latest mirrorless cameras, with 16 NIKKOR Z lenses currently available, including the recently announced NIKKOR Z 50mm f/1.2 S and 14-24mm f/2.8 S. The lineup will expand to include a total of 24 innovative optics by the end of 2021, providing Z series users with the tools to achieve the highest level of optical excellence.
The ecosystem is also expanding with more accessories, including the addition of the new MB-N11 Power Battery Pack with vertical grip for the Z 6II and Z 7II. This new grip features convenient external controls for additional manual operation and customization, along with more comfortable portrait orientation shooting. While battery life is extended up to 1.9x10 (CIPA standard), the battery grip also includes a hot-swappable chamber, granting users the ability to remove or replace one battery while shooting for uninterrupted power - a true benefit for content creation. The vertical grip also adds a secondary USB-C port for standalone charging and simultaneous communication with other devices.
Additionally, Nikon has announced new wireless transceivers for remote triggering and radio-controlled lighting, the WR-R11a and WR-R11b. The new wireless transceiver units use radio frequencies to communicate and are designed for users who need minimal release lag when shooting wirelessly, or those that use one or more remote flashes (AWL). The user can control additional remote cameras simultaneously using the WR-T10 remote, or via a main camera equipped with the WR-R11a/b. The WR-R11a uses a 10-pin connector, while the WR-R11b connects through the accessory terminal that can be found on Z series mirrorless cameras and select DSLRs. The units can also trigger Nikon radio-controlled flash units, such as the popular SB-5000 Speedlight, without the need for an additional receiver unit. Engineered with a new hinged design, the WR-R11a increases durability when attached to a camera.
Pricing and Availability
The Nikon Z 7II will be available in December 2020 in two configurations, body-only for a suggested retail price (SRP) of $2,999.95* and a one-lens kit with the NIKKOR Z 24-70mm f/4 for an SRP of $3,599.95*. The Nikon Z 6II will be available in November 2020 and will also be available in two configurations, body-only for an SRP of $1,999.95*, and a one-lens kit with the NIKKOR Z 24-70mm f/4 for an SRP of $2,599.95*. The MB-N11 Battery Pack with vertical grip will be available in November 2020 for an SRP of $399.95. The WR-R11a and WR-R11b (sold separately) will be available in December 2020, and each will have an SRP of $199.95 for the controller only. They will also be available as a set including the controller and the WR-T10 wireless remote controller for an SRP of $279.95.
The New Nikon Z 7II and Nikon Z 6II on Amazon.com
What Camera & Lens Should I Buy for Real Estate Photography?
I sometimes get asked by people who are getting started in real estate photography what camera and lens they should buy. Do you need an expensive camera for real estate? Do you need an expensive lens? Is it better to spend more money on the lens than the camera? What focal lengths are typically used? This article will hopefully give readers an idea of what cameras are currently available, the pros and cons of various cameras, and some info about lenses. This information can be applied to really any genre of photography, and I will also talk a little bit about the state of the industry.
See also: My extensive article/rant about tripods
See also: Real Estate Photography Techniques for Beginners
See also: DJI Air 2S Reviewed vs. Phantom 4 Pro
I sometimes get asked by people who are getting started in real estate photography what camera and lens they should buy. Do you need an expensive camera for real estate? Do you need an expensive lens? Is it better to spend more money on the lens than the camera? What focal lengths are typically used?
This article will hopefully give readers an idea of what cameras are currently available, the pros and cons of various cameras, and some info about lenses. This information can be applied to really any genre of photography, and I will also talk a little bit about the state of the industry.
Let’s get to it!
This page contains links to products, so if you find this site useful and use a link to make a purchase, I’ll get a small commission. As an Amazon Associate I earn from qualifying purchases. Thanks!
Mirrorless vs. DSLR
It’s 2020, and essentially all major camera manufacturers are moving to mirrorless. Sony was the mirrorless pioneer, but now Canon and Nikon are putting most of their efforts into mirrorless. I highly recommend getting a mirrorless camera, which will allow you to use the vast majority of new lenses released by camera manufacturers in the future. If you get a mirrorless camera body with a Canon R mount, Nikon Z Mount, or Sony E Mount, you will also be able to use all of the manufacturers’ older DSLR lenses by purchasing one of their adapters. Camera manufacturers’ newest camera bodies and lenses are going to be mostly mirrorless going forward. (See also: my article about how Canon’s recent mirrorless cameras blow away their previous DSLR’s in shadow recovery)
The best choice: Mirrorless
Full-Frame vs. APS-C
Cameras referred to as “full-frame” have larger sensors than cameras referred to as “APS-C” or “crop sensor” cameras, and so they tend to produce images with better detail and more dynamic range. Full-frame cameras have sensors that are 36x24mm wide, and APS-C camera sensors are around 23x15mm but vary slightly by brand.
In the past, camera manufacturers have released a wide variety of APS-C camera & lenses alongside a wide variety of full-frame cameras & lenses. The two camera sensor sizes and their lenses lived side by side in vibrant and profitable markets, bringing home the Benjamins to the camera manufacturers. Think of how popular and well known Canon’s Digital Rebel series was (APS-C camera)! However, I think that is changing. In my opinion, camera companies are going to be putting significantly less effort into APS-C than they have in the past, and focus most of their R&D efforts on full-frame.
The improvement in smartphone camera quality continues to reduce the market for low end camera bodies, and point-and-shoot camera have plummeted. As smartphone camera quality continues to improve, people will use dedicated low-end cameras in fewer situations. At the high end of photography we have full-frame or medium format. Phone photography can’t touch the high end. In the middle, we have APS-C cameras. Canon has already released a sub-$1,000 full-frame mirrorless camera, which essentially begins to place a psychological cost ceiling for APS-C camera bodies at $1,000. Why would you buy a crop sensor for more than $1,000 when you can get a full-frame sensor for less than $1,000? Sony and Nikon haven’t released a sub-$1,000 full-frame camera yet, but they probably are already working on it. This means we have smartphones replacing more of the low end, and full-frame cameras starting to occupy price ranges previously reserved for the mid-range. APS-C cameras are still cheaper and there are lenses available for a variety of purposes, but I think there will be fewer APS-C lenses released in the future as that market shrinks.
All that is to say, full-frame cameras not only produce higher quality images, but they are probably more likely to be future-proof. If you buy an APS-C camera body and some lenses for it now, you may end up having to sell all your APS-C lenses if you upgrade to a full-frame camera body later, and start over with a bunch of full-frame lens purchases. If you start with full-frame now, you can start building a lens collection that will probably be compatible with your future camera body purchases. People tend to keep lenses longer than camera bodies, because lens technology advances slower than camera body technology.
The best choice if your budget can swing it: Full-Frame
Canon EOS R5
Canon EOS R6
Canon EOS R
Canon EOS RP
Nikon Z5
Nikon Z6
Nikon Z7
Sony a7R IV
Sony a7R III
Sony a7R II
The real estate photography cameras for a limited budget: APS-C
Camera Brands
Canon, Nikon, and Sony have been the primary three camera manufacturers in recent years. In 2019 Canon had about 45% of the overall camera market, Sony had about 20%, and Nikon had about 18%. Sony has been doing extremely well with full frame and mirrorless sales, however. Sony has been in the full-frame mirrorless game since 2013, with Canon and Nikon entering in 2018. Canon’s first full-frame mirrorless offerings were not good enough to match Sony, but now that they’ve released their flagship EOS R5 and EOS R6 in 2020, their mirrorless cameras are among the best.
Nikon has not released a new “flagship” full-frame mirrorless camera since 2018. They recently released the Nikon Z5, which is simply their cheapest full-frame mirrorless camera. But as I am writing this article, Nikon has an event scheduled where they will release information about their new Z6 II and Z7 II full-frame mirrorless. Hopefully they will continue to remain competitive with Canon and Sony, because competition makes cameras better for photographers!
As I mentioned earlier, Canon is currently the only brand making a sub-$1,000 full-frame mirrorless with the Canon EOS RP. Even though it’s the cheapest full-frame mirrorless you can get, any Canon RF lenses you buy to use with the RP will work with Canon’s future high-end camera bodies when you want to upgrade. It will be interesting to see how long it takes Sony and Nikon to follow Canon in breaking the $1,000 price point. Keep in mind that if you get a more expensive full-frame mirrorless than the $999 Canon EOS RP to you can get more features, better dynamic range, more megapixels, more photos per second, etc. But you don’t need any of those things for real estate photography! The camera’s dynamic range is not as important as in many other photography genres because your subject doesn’t move, and you can exposure bracket your scenes. You can put your camera on a tripod and take several photos that are 1 stop apart, then manually blend them in Adobe Photoshop or quickly merge them to HDR in Adobe Lightroom. You don’t need fantastic autofocus because you aren’t photographing birds in the Amazon. Buying the cheapest full-frame mirrorless available to get started in real estate is not a bad idea, especially with a limited budget. If you are going to be using the camera in multiple genres, like weddings or night photography, you might start to run into a cheaper camera’s limitations more quickly than a high-end model.
Camera Body Price Point Winner: Canon
One of the reasons people go with one camera brand or another is available lenses. I’m not going to jump into the world of 3rd party lenses right now (Sigma, Tamron, Rokinon, Zeiss, Samyang), but here are some lenses that will be able to get you through any real estate photoshoot, whether interior or exterior. All of these lenses can be used on the corresponding camera brand’s mirrorless camera bodies without an adapter, and are (in my opinion) the focal length sweet spot for your first real estate photography lens purchase. Keep in mind you can’t use a lens made by one brand with another brand of camera body (e.g. you can’t use a mirrorless Sony lens with a mirrorless Canon body or vice versa).
Full-Frame Mirrorless Lenses
Canon RF 15-35mm F2.8 L IS USM
Sony 16-35mm Vario-Tessar T FE F4 ZA OSS
Canon’s lens is faster (f/2.8 vs f/4) than the Sony or Nikon lenses I selected above and has the biggest zoom range. As a result it’s about $1,000 more expensive. Canon does not currently have a cheaper full-frame mirrorless (RF mount) do-it-all real estate lens. They do have an older EF-mount lens (for their previous DSLR’s) that you could use with an adapter for a similar price point (below), but since Sony and Nikon have cheaper mirrorless mount real estate lenses I’ll give them the price point win.
Canon EF 16-35 f/4 IS USM
Canon Mount Adapter EF-EOS R - the adapter required to use a Canon EF lens with one of their mirrorless camera bodies
Full-Frame Mirrorless Do-It-All Real Estate Lens Price Point Winners: Sony & Nikon
APS-C Mirrorless Lenses
If you end up going with an APS-C mirrorless camera body, then here are the lenses you could use. Notice the focal lengths all seem shorter than the full-frame lenses. That’s because APS-C (crop sensor) cameras have a 1.5x or 1.6x crop factor, so in order to be as wide as a full-frame camera you have to have wider focal ranges in the lenses.
Canon EF-M 11-22mm f/4-5.6 STM
Since Nikon’s mirrorless APS-C real estate lens doesn’t exist, I’ll give the win to Canon and Sony. You can still use the Z50 for real estate but you’d have to use an older lens with an adapter.
Nikon Mount Adapter FTZ
Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR
APS-C Mirrorless Do-It-All Real Estate Lens Winners: Canon & Sony
Understanding Focal Lengths in Real Estate Photography
The reason I chose specific lenses for this real estate specific article is their focal length ranges. Most real estate work can be done from around 16-17mm up to around 30-35mm (when dealing with full-frame focal lengths). When you are trying to capture an entire bedroom or the expanse of the main living areas, you may find yourself wanting to be below 20mm. When you are photographing the details, the kitchen, or exteriors of a home, I tend to like to be at a longer focal length, like 24-35mm. Having a single zoom lens that allows you to handle any of these focal length ranges will allow you to move quickly through a photoshoot without changing lenses. If you get to a point in your career where you get to spend more time during photoshoots you could start using specialized lenses like tilt shift lenses or longer focal lengths, but for anyone who is just getting started it is extremely valuable to have your workhorse lens that can handle the entirety of any job.
Wider focal lengths tend to exaggerate the size of whatever objects are close to the camera, and longer focal lengths tend to make everything in the frame a more appropriate size. If you can fit everything you want in a shot at a longer focal length the composition will probably be more pleasing, but in many cases a realtor will want you to show the whole room or make rooms look big. If you look at real estate photos on Zillow or your local MLS the interior photos tend to be fairly wide in general. If you are just starting you should probably provide wide photos that show the whole room to the realtors that hire you and use longer focal lengths on the exterior. As you practice composition you might start finding ways to capture rooms using longer focal lengths in ways that the realtors appreciate, but you will probably start out with lots of clients that want wide interior photos for selling houses.
Summary
Hopefully this article gives you enough information to get started. You really could get started with any brand of camera and lens, but I would definitely go with a full-frame mirrorless if you can make it work. Not only will full-frame cameras produce better images, but they are cheaper than ever before and full-frame lenses can be used on your next few camera bodies as well. I will try to update this article as new products come out in the future, but for now here is a summary of the products mentioned in this article. If you found it helpful and use one of these links, I’ll get a small commission. Thanks!
Products Mentioned in this Article
Canon Cameras
Canon EOS R5
Canon’s Best Full-Frame Mirrorless
Canon EOS R6
Canon’s Mid-Range Full-Frame Mirrorless
Canon EOS RP
Canon’s Cheapest Full-Frame Mirrorless
Canon EOS M50
A Canon Mirrorless APS-C (Lower Cost than Full-Frame, but compatible lenses are probably less future-proof)
Canon Lenses
Canon RF 15-35mm f/2.8L IS USM
A very fast, expensive, sharp full-frame mirrorless lens that can handle everything from real estate to astrophotography.
Canon EF 16-35 f/4 IS USM
An older, cheaper canon lens that you can use on a full-frame mirrorless with an adapter.
Canon EF-M 11-22mm f/4-5.6 IS STM
A Canon APS-C lens that is only compatible with the M50
Sony Cameras
Sony a7R IV
Sony’s Highest Megapixel Full-Frame Mirrorless Camera
Sony a7R III
A mid-range Sony Full-Frame Mirrorless Camera
Sony a7R II
A lower-cost Sony Full-Frame Mirrorless
Sony a6100
A Sony Mirrorless APS-C (Lower Cost than Full-Frame, but compatible lenses are less future-proof)
Sony Lenses
Sony 16-35mm Vario-Tessar T FE F4 ZA OSS
A reasonably priced lens for your full-frame mirrorless Sony camera that can handle any real estate job
Sony E 10-18mm F4 OSS
An APS-C lens for your Sony a6100 with an ideal real estate focal range
Nikon Cameras
Nikon Z7
Nikon’s Best Full-Frame Mirrorless
Nikon Z6
Nikon’s Mid-Range Full-Frame Mirrorless
Nikon Z5
Nikon’s Cheapest Full-Frame Mirrorless
Nikon Lenses
Nikon Z 14-30mm f/4 S
A lens for Nikon full-frame mirrorless with a good real estate focal range
Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR
An APS-C lens to use with the Nikon Z50, but it requires an adapter